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New Release: Fly Fishing in Times Square by William Walsh

Fly Fishing in Times Square by William Walsh
Červená Barva Press, 2020

William Walsh is the author of four books of poetry, four novels, three film screenplays, a collection of interviews, an anthology of contemporary American poetry, and a collection of essays. He is the director of the Etowah Valley M.F.A. Program at Reinhardt University in Waleska, GA where he teaches graduate and undergraduate creative writing and literature. Among his awards for his writing, he has received the 2018 Cervena Barva Press Editors Book Series Award, Georgia Author of the Year, and has been recognized by the Association of American University Presses as a Selection for Public and Secondary Libraries. He has been a finalist or semi-finalist in many competitions, including, among others, the Glimmer Train Short Story Contest and the William Faulkner "William Wisdom Creative Writing Competition" for his novels The Boomerang Mattress, Haircuts for the Dead, and The Pig Rider. His work has appeared in AWP Chronicle, Cimarron Review, Five Points, Flannery O'Connor Review, The Georgia Review, James Dickey Review, The Kenyon Review, Literary Matters, Michigan Quarterly Review, North American Review, Poetry Daily, Poets & Writers, Rattle, Shenandoah, Slant, and Valparaiso Poetry Review. Known for his literary interviews, he has interviewed some of the most highly respected writers in the world, including A.R. Ammons, Doris Betts, Richard Blanco, David Bottoms, Joseph Brodsky, Pat Conroy, Harry Crews, James Dickey, Ariel Dorfman, Mark Doty, Rita Dove, Stephen Dunn, Eamon Grennan, Mary Hood, Edward Jones, Madison Jones, Donald Justice, Ursula Le Guin, Andrew Lytle, Czeslaw Milosz, George Singleton, Lee Smith, and many others. Originally from Jamestown, NY, he has resided in Atlanta since 1980.


"Memory, nostalgia, a changing America. The magic of the animal world and the fragility of all creatures. An eschewing of what is manmade and crowded and impersonal. Comradeship, sports, and competition. Beautiful unfulfilled mothers, the difficult communication of fathers and sons. William Walsh's Fly Fishing In Times Square is a love letter to Americana, a love letter to America. Each of these exacting, spectacular poems come around the corner like long lost friends to kiss each reader on the cheek."
—Denise Duhamel

"William Walsh is a master of the narrative poem. In Fly Fishing in Times Square, he investigates memory, the self, family, and being with sculpted imaginal and aurally textured confidence. His poems elucidate rather than purposefully befuddle; they refresh rather than freight; they revivify rather than siphon a reader's emotional energy. However, Walsh is not afraid to step into the dark and witness existential matters—but it’s in this lack of hesitation to do so-as well as his ability to explore a wide gamut of both macroscopic and microscopic motifs-that makes his poems so beautiful. They are manifestations of "what happens / when imagination confronts the universe." Fly Fishing in Times Square is a book I'll read more than once; it's the sort of collection that teems with ideas and leads others to their own inspirations."
—William Wright

"William Walsh's new poems prove, once again, that 'there's no controlling the world's divine mysteries. With amazing vision and linguistic skill Walsh explores the desires and realities of domestic life in America. Reading these fine poems we are drawn into a complex world of family where separation is natural and memory provides the only means of holding on. These powerful poems never fail to lead us to ask the right questions about family and the wilderness, the world and our place in it."
-David Bottoms

"With a keen and painterly eye, Bill Walsh masterfully renders the poetic, mysterious landscapes of memory and place, capturing his spiritual and physical self amid his intangible and tangible worlds that embrace us and become ours. I feel completely at home in these poems that question the very idea of home through imagery and language that is wise with longing, powerfully tender, and passionately at peace."
-Richard Blanco, Presidential Inaugural Poet

$17.00 | ISBN: 978-1-950063-14-7 | 78 Pages

New Release: Dancing in Santa Fe and other poems by Beate Sigriddaughter

Dancing in Santa Fe and other poems by Beate Sigriddaughter
Červená Barva Press, 2019

Beate Sigriddaughter, www.sigriddaughter.net, was poet laureate of Silver City, NM (Land of Enchantment) from 2017-2019. She grew up in Nürnberg, Germany, where she began her trajectory of enchantment a five-minute walk from the castle. Alternate playgrounds, even closer to home, were World War II bomb ruins. Contrasts in her life became the norm. Her writing has received multiple Pushcart Prize nominations and a handful of poetry prizes. Keenly interested in women and their situation in the world, she created the blog Writing In A Woman's Voice where she publishes other women's work.


This life a sacred loan./ I vow to celebrate" the poet proclaims in this exquisite chapbook. These are powerful poems of loss and transcendence. Sigriddaughter's singular brilliance lies in making the cosmic fiercely personal; she shines a light.
-Alexis Rhone Fancher, poetry editor, Cultural Weekly, author of Junkie Wife

Skillfully balanced between facing the ominous facts in world news and her enthusiasm for the spirit and beauty in her surroundings, Beate Sigriddaughter’s short collection is filled with clear-sightedness. The title poem brilliantly juxtaposes an inherited German history with her current New Mexico situation filled with affection and natural wonders. These pages are for all who seek something both uplifting and realistic; a lyrical wisdom that acknowledges a debt to fairy tales spanning light and darkness.
-David Chorlton, author of Reading T. S. Eliot to a Bird

Radiant writing! Beate Sigriddaughter is unafraid of the dark, and so is able to illuminate with rapturous language the hidden perplexities of the heart. Her vision is clear, her observations cut to the core with insights into nature and human nature seen through a focused lens of hard-earned joy. I found these poems astoundingly moving!
-Eve West Bessier, Poet Laureate of Silver City, NM

Beate Sigriddaughter's Dancing in Santa Fe and other poems will make you remember what it is to be alive in this world. Insightful, rewarding poetry. These poems moved me. They are filled with heart and care and apology and exquisite writing. They explore the darkness as well as the awesome beauty of life, and how, as human beings with a soul and memory, we must learn to live with both. These poems question and consider, looking inward as well as to the physical world, and to the mystical and spiritual. Ultimately, they lift a dark curtain, and are laced with love.
-Kari Nguyen, Contributing author, The Best of Boston Literary Magazine (Volume One) and New Hampshire's Emerging Writers Anthology (2018)

Were I forced at the point of King Arthur's sword to sum up Beate Sigriddaughter's poetic voice in three words-not counting the audible gulp at such a daunting demand-my response would be a strong, defiant, "Redolent of Life!" (The exclamation point my proud, subversive fourth.)
-Mathew Paust, author of Executive Pink, whose blog Crime Time is at https://mdpaust.blogspot.com

$8.00 | ISBN: 978-1-950063-23-9 | 34 Pages

New Release: Secret Histories by Michael McInnis

Secret Histories by Michael McInnis
Červená Barva Press, 2019

Michael McInnis lives in Boston and served in the Navy chasing white whales and Soviet submarines. His poetry and short fiction has appeared in Chiron Review, Cream City Review, Deadly Writers Patrol, Naugatuck Review, Oxford Magazine, Unlikely Stories and Yellow Chair Review to name a few. He was the founder of the Primal Plunge, Boston's only bookstore dedicated to 'zines, underground culture, and small press literature. His previous two books, Hitchhiking Beatitudes and Smokey of the Migraines were both published by Nixes Mate Books.


More Praise for Secret Histories

Secret Histories, by Michael McInnis, is a journey from sea to sky, where you "see the stars in each swell, as if land exists only at the pleasure of the ocean." Mermaids walk amongst us, and fortune may allow us to trace their tattoos with our tongues. There are secret messages in storms and unquenchable thirsts, and a girl named Lucy, whose skin we can't stop thinking about. McInnis shows us "how we dream up gods in our desert consciousness," knowing that all the while, the sharks feed below.
-Heather Sullivan, author of Method Acting for the Afterlife

$17.00 | ISBN: 978-1-950063-10-9 | 122 Pages

New release: Rita by Ellen Devlin (chapbook)

Rita by Ellen Devlin
Červená Barva Press, 2019

Ellen Devlin's poetry has been published or is forthcoming in The Cortland Review, Ekphrasis, Lime Hawk Review, PANK, The New Ohio Review, The Sow's Ear and Women's Studies Quarterly Review. One chapbook is forthcoming from Cervena Barva Press, "Heavenly Bodies at the MET." She lives in Irvington, New York, with her husband, Charles.


Ellen Devlin's Rita is as subversive as it is wise. Rita's sassy "talk backs" to heroines from the canon may be feminist retellings but Devlin's project is more complex. Each insightful warning, discussion, or interrogation (with female characters of carefully chosen seminal texts) explores necessary questions of identity, agency, free will, power, and complicity. These poems are instruments of power-asserting, imagining, describing what it's like to be a woman today. I wish I read this book when I was a young woman. This is no ordinary debut collection; Devlin's attention to craft is masterful and her language fresh and fierce. "The windows and doors are locked and I can feel/ my mother's life barreling towards me."
—Jennifer Franklin, author of No Small Gift (Four Way Books, 2018)

It isn't often that a book of poems introduces us to a character we get to know as deeply as we know our closest intimates, or ourselves. Ellen Devlin achieves this with Rita, wielding an unfailing eye for detail and ear for voice. Rita is a middle-aged woman, uncelebrated in her world and ours, living with "a pile of ideas about being seen/not seen." As a reader, she talks back to a series of heroines who, tempted by "luminous sin," seem poised to stumble (as we know they will) into the perils that can befall the desirous female body. She shops at the supermarket, goes to her book club, nurses her memories. She accepts both horror and pleasure with her unique intensity and detachment. In the end, this unique sensibility is what saves Rita and burnishes these poems. She compels our interest, our awe and our love.
—Kathleen Ossip, author of The Do-Over (Sarabande Books, 2015)

Photograph and cover design by Hugh Scully

$8.00 | ISBN: 978-1-950063-13-0 | 36 Pages

New release

Balkan Grit by Milan Djurasovic (fiction)
Červená Barva Press, 2019

Milan Djurasovic is a Bosnian American writer, artist and journalist. He currently lives and works in Sacramento, California. His educational background is in psychology and Russian literature. Milan has published dozens of articles and short stories in various international magazines. His most recent publication includes a book of fiction No More Happy Endings (published in 2016).


Balkan Grit is a collection of short stories that explores the psychology of characters who are trying to shield their sanity and hope while coping with loss and bleakness in a post-war society. Neglected and abused, without a prospect for a normal life, they are rendered bitter and cynical. Some try to make sense of their daily troubles and newly imposed external values by holding onto a familiar way of life and a deeply rooted moral code. Others become subdued and frozen in time in a world full of abrupt change and cruelty.

Cover Design: Aleksandra Djurasovic




$17.00 | ISBN: 978-1-950063-21-5 | 80 Pages

New Release

White Zion by Gila Green (Fiction)
Červená Barva Press, 2019

Canadian Gila Green is a writer, editor, and EFL teacher. As the daughter of a Yemenite-Israeli father and an Ashkenazi-Canadian mother, she often writes about the immigrant experience, including dislocation, alienation, and racism. She spent time in South Africa before settling in Israel where she lives with her husband and five children.

She is the author of White Zion, two adult novels: Passport Control and King of the Class and her short works have appeared in dozens of literary magazines and anthologies. Her new young adult novel No Entry is forthcoming in 2019 and is the first in an environmental series. Please visit Gila www.gilagreenwrites.com


Gritty Yet Shimmering Stories! I'm not exaggerating here one bit.
It's titled 'White Zion' but Gila Green paints from all the colors/hues of the Jewish palette. These gritty yet shimmering stories get into you. I read them all in two swoops, then stayed up for an hour or two, maybe four, waiting for my heart to return to normal.
-Ruchama King Feuerman, author of In the Courtyard of the Kabbalist and Seven Blessings

In a journey of generations from Aden to Palestine to Ottawa, one Yemenite family encounters new and difficult realities: racism and war, rejection and divorce, resourceful survival and tragic death. With smells of delicious breads wafting up from the page, embroidering detail upon detail in fine literary stitch, Gila Green draws us fully into her narrative, as she generously shares with us the hidden core of family life and the stories she is not afraid to tell.
-Yael Unterman, author of The Hidden of Things: Twelve Stories of Love & Longing

Imagine a group of friends and relatives coming together throughout the afternoon over food and drink, staying late into the evening to share stories that engender laughter, tears, empathy and admiration. The profoundly satisfying stories in White Zion are rich in intimate detail, peopled with a cast of heart wrenching characters at once familiar and unique, a gathering of personalities that leaves me reluctant to leave their company and eager to revisit them.
-Pearl Luke, author of Madame Zee and Burning Ground

Review by Susan Weintrob:
Susan Weintrob is a retired university English instructor and Jewish day school administrator.
https://www.expandthetable.net/gila-green-s-white-zion

$18.00 | ISBN: 978-1-950063-12-3 | 145 Pages

New release

CEREMONIAL ENTRIES by Joseph DeRoche
Edited by Kevin Gallagher and Martha Collins
Červená Barva Press, 2019

Joseph DeRoche (1938-2013) taught at Northeastern University for many years. This collection gathers all of his published poems, and many of his unpublished ones.

ABOUT THE EDITORS
KEVIN GALLAGHER is a poet, publisher, and political economist living in Boston, Massachusetts with his wife, Kelly, kids Theo and Estelle, and dog Rexroth. His recent books of poetry are Radio Plays, And Yet it Moves, and Loom. Gallagher edits spoKe, a Boston-area journal of poetry and poetics. He works as a professor of global development policy at Boston University.

MARTHA COLLINS is the author of nine books of poetry, most recently Night Unto Night and Admit One: An American Scrapbook. She founded the Creative Writing Program at U.Mass-Boston and served as Pauline Delaney Professor of Creative Writing at Oberlin College for ten years. Her tenth book, Because What Else Could I Do, is forthcoming from the University of Pittsburgh in fall 2019.


With razor-sharp wit and élan, Joseph DeRoche's poems remind us that revelation is never easy-that it often comes at great cost as we "loat to Paradise / In a slaughter / Of small things." DeRoche's poems are as formally taut as they are conversationally playful. His impeccable, architectural eye for detail creates a language that unmakes and reshapes the coercive structures that constrict our speech. In poems that delightfully blur the boundary between body and spirit, the individual human utterance becomes "an ordering / Against the furious weather / Of the world’s silence." Thanks to editors Kevin Gallagher and Martha Collins, a new generation of readers will now have the opportunity to experience the lyric grace and benevolence of DeRoche's brilliant poems.
-Tony Trigilio, author of The Complete Dark Shadows (of My Childhood), Book 1

Joe DeRoche's poems are tough and tender minded-and tough and tender hearted. Artfully arranged from early to late, they begin by exploring contraries in conflict: ornamentation and spareness, say, or the starkly observed and the richly imagined. But their sharpest focus throughout is on the spiritual and secular frameworks used to assess the competing claims of body, mind, and soul, and of faith and doubt in divinity, love, and poetry itself. The collection's title says a sense of ritual unites the poems. It does, as their ceremonies lead from struggles between conflicting goods toward acceptance that the world and our experience of it is always sacred and profane: a place where Satan may be a saint and the light in an image of the infant Jesus Christ can seem as earthbound as celestial, where love can redeem and debase, where poetry can transform, disinfect, and merely feint or fail or cheat. DeRoche variously registers that acceptance in warm approval, bemused or startled recognition, or eerily calm alarm. Meanwhile, whether rhymed and metrical or free, his gay devotional verse repeatedly achieves the mysterious interaction between prosodic shape and developing content Robert Hass says is meant by poetic form.
-Guy Rotella, professor Emeritus, Northeastern University, author of Castings: Monuments and Monumentality in Poems by Elizabeth Bishop, Robert Lowell, James Merrill, Derek Walcott, and Seamus Heaney

$17.00 | ISBN: 978-1-950063-32-1 | 211 Pages

Released February 2019:

CHANTS a memoir in sonnets by John L. Stanizzi
Červená Barva Press, 2019

John L. Stanizzi is author of the collections – Ecstasy Among Ghosts, Sleepwalking, Dance Against the Wall, After the Bell, Hallelujah Time!, High Tide - Ebb Tide, and Chants. His poems have appeared in Prairie Schooner, American Life in Poetry, The New York Quarterly, Paterson Literary Review, The Cortland Review, Rattle, Tar River Poetry, Rust & Moth, Connecticut River Review, Hawk & Handsaw, and many others. His work has been translated into Italian and appeared in El Ghibli, in the Journal of Italian Translations Bonafinni, and Poetarium Silva. His translator is Angela D'Ambra. John has read and venues all over New England, including the Mystic Arts Café, the Sunken Garden Poetry Festival, Hartford Stage, and many others. John is coordinator of the Fresh Voices Poetry Competition for Young Poets at Hill-Stead Museum, Farmington, CT. He is also a teaching artist for the national recitation contest, Poetry Out Loud. A former New England Poet of the Year, John teaches literature at Manchester Community College in Manchester, CT and he lives with his wife, Carol, in Coventry.


This is what history sounds like, a song that takes over us until we join the Chants and become part of history. Thanks to John L. Stanizzi for showing us another path of walking into today.
—Romeo Oriogun, Nigeria's Oriogun is the recipient of the Brunel International African Poetry Prize 2017

These loose sonnets with the punning title — "Chants"—push us in various directions: towards the past, towards the present, even towards the immensely problematical future. It's the story of a Catholic boy grown into a compassionate, intelligent man looking at the world as it has configured itself in his lifetime: all the changes. The difference from a newspaper account is that Stanizzi is an observer with music on his mind: "cause / to breathe in cleanly in the thrall of rain." These poems sing—"chants"—about the life he has lived out of all the lives he might have lived: "chance." It is a poetry of witness dealing with death, life, childhood and growth. But it also allows us to experience sudden miracles of flight: I am inspired/to pick him [a goldfinch] up—and he lets me!—his eyes/unsure and trusting in a lightning flash,/and then he flies, my upturned palm in rain.
—Jack Foley, Foley is the author of many books, including Grief Songs, and The Tiger

These inspiriting poems amplify and celebrate life. They find the deepest reaches of the human heart with a passion that will cause readers to pause and read again. From the beauty of goldfinches to the horrors of war and the joys and tribulations of family life, John Stanizzi discovers the universal in the personal. He turns words into instruments that pierce the soul.
—David K. Leff, author of The Breach and Poet-in-Residence New England National Scenic Trail, 2016-2017

$17.00 | ISBN:978-1-950063-00-0 | 47 Pages

Released January 2019:

YET, LOVE, ILLUMINE US and Other Poems by Jüri Talvet
Červená Barva Press, 2019

Since the start of the 21st century, Jüri Talvet (born in 1945 in Pärnu) has emerged as one of the internationally best-known Estonian poets and essay writers. Book-length selections of his poetry have appeared in English, Spanish, French, Italian, Russian, Romanian, Serbian and Catalan. Yet, Love, Illumine Us, and Other Poems is Talvet’s third poetry book in English translation, following Estonian Elegy (2008) and Of Snow, of Soul (2010), both published by Guernica (Toronto). Talvet has chaired World / Comparative Literature at the University of Tartu since 1992 and is elected member of Academia Europaea (2016).

ABOUT THE TRANSLATOR
H. L. Hix's recent books include a poetry collection, Rain Inscription (Etruscan Press, 2017), an essay collection, Demonstrategy (Etruscan Press, 2019), and an art/poetry anthology, Ley Lines (Wilfrid Laurier Univ. Press, 2014). His previous collaborations with Jüri Talvet include a selection of poems by the Estonian poet Juhan Liiv, Snow Drifts, I Sing (Guernica Editions, 2013), and anthologies of contemporary Estonian poetry: Vello ceo nórdico. Poesia estonia contemporánea (Universidade de Santiago de Compostela, 2002) and On the Way Home. An Anthology of Contemporary Estonian Poetry (Sarup & Sons, 2006).


From the introduction...
As, according to Aristotle, philosophy begins in wonder, so too do Talvet's poems. But Talvet's is not a youthful, naïve wonder. Instead, it is the wonder that Elias Canetti speaks of in this way: "The real creator gets bolder with age…. [T]he more one has experienced, the more there is to be astonished by. Our capacity for wonder grows with experience, becomes more urgent." The poems in Yet, Love, Illumine Us are bold in proportion to the urgency and maturity of their astonishment, the capaciousness of their wonder.
—H. L. Hix

Cover image by Laura Talvet

$17.00 | ISBN:978-1-950063-01-7 | 103 Pages

Released January 2019:

Captive in the Here poems by Gary Metras
Červená Barva Press, 2019

Gary Metras is the author of four previous poetry books along with eleven chapbooks, most recently, Two Bloods: Fly Fishing Poems. His poems, essays, and reviews have appeared in such journals as America, American Angler, The Boston Review of Books, Gray's Sporting Journal, Poetry, Poetry East, Poetry Salzburg Review, along with the recent anthologies Working Words: Punching the Clock and Kicking Out the Jams (Coffee House) and The American Public School Teacher: Past, Present, & Future (Harvard Education Press). He is a past recipient of the Massachusetts Fellowship in Poetry. He is the editor, publisher, and letterpress printer of Adastra Press. He fly fishes the streams and rivers of western Massachusetts as often as possible.


Critical praise for the books and chapbooks of Gary Metras:

"The Moon in the Pool is the work of a seasoned poet, a writer accustomed to having his way with words. But there is more to these poems; they make us what we already are. In other words, they tap into our shared humanity….This small book is a welcomed read. Its aftertaste is long lasting-analogous to the love it expounds, in the midst of all else that life offers."
-The Compulsive Reader

Greatest Hits 1980-2006: "The words are gifts from an accomplished poet, sure of his words and his mission to deliver his words carefully measured and assured… So read this book and see a good writer at work."
-Hotmetalpress

Until There Is Nothing Left: "Metras is an unpretentious writer who keeps company with readers...In fact, he's good company. His voice is direct, simple, uncomplaining and democratic."
-Daily Hampshire Gazette

Seagull Beach: "The book's feel, heft, and contents are an evocative experience."
-Virginia Quarterly Review

A Room Full of Walls: "…powerful and successful, so eloquent of strong, controlled emotions….the very considerable achievement your collection represents."
-Anthony Hecht

$17.00 | ISBN: 978-0-9981027-3-3 | 66 Pages



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