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New Release: The Unfinished Family Poems Barbara E. Murphy

The Unfinished Family Poems Barbara E. Murphy
Červená Barva Press, 2024

Barbara E. Murphy's poetry has appeared or is forthcoming in journals including Green Mountains Review, Threepenny Review, Barrow Street, and New England Review. She is a recipient of a Vermont Arts Council Fellowship and twice-nominated for a Pushcart Prize. Murphy served as a faculty member at the New England Young Writers Conference and is a board member of Sundog Poetry. A collection of her poems, Almost Too Much was published by ČervenÁ Barva Press in 2015. Her essays and reviews have been published in several venues including The New York Times, Plume Poetry, Full Grown People, and Green Mountains Review. She lives and writes in Burlington Vermont.


Description:
Barbara E. Murphy's compelling The Unfinished Family comes to terms with the notion that families can ever be "finished.' The poems in this brave and provocative collection explore the impulses of duty and loyalty, love and fear and compulsion for perfection as the speaker comes to embrace the mistakes that are inevitable in every family. These poems are as honest as they are hopeful in their insistence that we return again and again to the messy work of being with our people and starting again.

In The Unfinished Family, Barbara Murphy offers a master class on the compressed narrative and the withheld detail. Whether she turns a discerning, critical eye on her birth-family—a troubled father, a mother born into "the wrong era, wrong marriage, wrong life"—or her own made family she brings a wealth of memorable phrases, smart insights, and emotional yearning as well as an empathetic eye and forgiving mind that "lets a little light in too."
—Neil Shepard, author of The Book of Failures

Part of our human beauty is that we live in a state of being unfinished. This is why memory is so powerful. Barbara Murphy's exquisite, beautiful poems are a series of finely etched portraits that enact how our moments accumulate into meaning as they move toward another world we will never know yet help create. Muscular, lyric language and an agile form makes these powerful poems tap us on the shoulder and awaken us from our delirium and into the transcendent. Murphy's poems show us how personal history and time intersect leaving behind a memory that never vanishes. These poems claim life and life claims these poems. This book is a treasure.
—Elizabeth A.I. Powell, author of Atomizer

Barbara Murphy's The Unfinished Family is haunted by the archetypal ghost of a perfect family against which the speaker holds memories—brilliantly precise and unequivocally rendered—and finds them wanting. Yet, the honesty, bravery and fidelity with which she acknowledges her disappointments burnish these poems with love, humor and pathos. We should read her.
—Nancy Mitchell, author of The Out of Body Shop

Photo: Karen Pike

$18.00 | ISBN: 978-1-950063-92-5 | 58 Pages

New Release: Lunch in Chinatown poems by Mary Bonina

Lunch in Chinatown poems by Mary Bonina
Červená Barva Press, 2024

A fellow of the Virginia Center for the Creative Arts, Mary Bonina was finalist for the Goldfarb Fellowship and awarded several residencies, including one at the VCCA retreat, Moulin a Nef, in Auvillar, France. Previous publications include My Father's Eyes: A Memoir and two poetry collections—Living Proof and Clear Eye Tea, all from ČervenÁ Barva Press. Her poems and essays have appeared in The Lowell Review, Hanging Loose, Poets and Writers, Salamander, Mom Egg, Ovunque Siamo, Adelaide, and many other journals, and her work has been included in several anthologies, including Entering The Real World, VCCA Poets on Mt. San Angelo from Wavertree Press. Her completed novel, My Way Home, is on submission to publishers. Her poem "Drift" won Boston Contemporary Authors/Urban Arts prize and is carved in a granite monolith, a permanent public art installation in the City. Bonina has collaborated with composers of arts songs and new music, a sculptor, and her work has been translated into Japanese. She received a full fellowship from the Vermont Studio Center. A voiceover artist, she has recorded fiction, non-fiction, and poetry for blind readers. She offers classes, workshops, conference presentation, and individual coaching for writers. Bonina has been a long-time member of the Writers Room of Boston, where she served on the Board for more than a decade. She earned her M.F.A. in Fiction Writing from the Program for Writers at Warren Wilson College. She lives in Cambridge, Massachusetts. Her website is www.marybonina.com


Description:
New from Mary Bonina—and particularly timely—LUNCH IN CHINATOWN is a poetry collection inspired by the poet's work teaching the English language to immigrants from Haiti, China, Poland and other European countries, Central, Latin American, and African nations, and others. The poems highlight, as Patrick Sylvain, Professor of Global Studies, states in his introduction, "the universal nature of human connection, understanding, and a sense of shared humanity in the face of cultural and linguistic differences" Bonina sees her classes as offering survival skills, and compares her necessarily improvised lessons to the act of writing a poem, "that familiar process of one word, one thought, leading to another, often unanticipated one, recognizing endless possibilities, and finally settling on the right one in a moment of revelation."

In this vivid, wonderfully empathetic book of poems, Lunch In Chinatown, Mary Bonina is an inquisitive seeker, not only set to teach English but also to learn about the lives of her immigrant students. There’s the student who worked with the very ill and the job did not allow wearing jewelry “without that ring on her finger/her hand felt too light, made her think/that she wasn’t in the world anymore,” another puzzled over the same abbreviation for Saint and Street, a young man recalled his young love in Port au Prince. In her masterful telling Bonina has given us glimpses of their worlds, both before and after the immigration. These poems celebrate the common human language, of disappointments and loss, aspirations and love, and also how poetry and the resolve of students and their teacher can make all the difference in the world.
—Pui Ying Wong, author of Fanling in October

In Lunch in Chinatown "Mary Bonina's eloquent verses breathe life into the seemingly mundane, turning lunchtime into an exploration of the extraordinary moments hidden within our daily routines."
          from the Introduction
          Patrick Sylvain, P.H.D., M.F.A
          Author, Unfinished Dreams/Rev San Bout (bilingual poetry)

Cover photo: Abbi Sauro
Author photo: Christopher Collyn

$16.00 | ISBN: 978-1-950063-88-8 | 27 Pages

New Release: MARBLE DUST Poems by Gary Metras

MARBLE DUST Poems by Gary Metras
Červená Barva Press, 2024

Gary Metras was appointed the inaugural Poet Laureate of the City of Easthampton in 2018. His essays, reviews, and chiefly poems have appeared in hundreds of journals since the 1970s, including America, American Angler, Boston Review of Books, The Common, Connecticut Poetry Review, Gray's Sporting Journal, Poetry, Poetry East, Salzburg Poetry Review, and Yankee Magazine. He has taught high school English and college writing. A master letterpress printer, he ran Adastra Press for forty years, publishing poets from all over the country.


From Izmir, Turkey to Stonehenge, England, these are poems of adventure, revelation, and enlightenment. The history, mythology, and ruins of ancient Greece and Rome are newly experienced and newly interpreted for the modern reader. The lives and achievements of Francis d'Assisi, Michelangelo, Leonardo, Beethoven, John Keats, and Oscar Wilde are given new meaning, while a belly dancer, a butcher, a taxi driver, and a waiter and a waitress are elevated beyond their typically mundane jobs and lives. Join the author as he walks the Bridge of Sighs in Venice, rides a cable car up an Austrian alp, contemplates the paintings in the Sistine Chapel, a Christmas in Paris, lunches in the café atop the Euromast in Rotterdam, and so much more.

Marble Dust is like a travelogue in four parts. It is a paean of geography, actual, spiritual, historical, mythological as well as a special place in our collective hearts. From Greece to Italy and the rarified air and memories of mountains in Austria, Switzerland and the mysteries of Stonehenge. Marble Dust merges all these into a seamless literary tapestry. It also encompasses themes pertaining to art, artists, poets and architecture. This collection places the enraptured reader in the center of this journey as time bends backwards and forward. All places blend into the external and internal worlds. Poem after poem is replete with breathtaking imagery and proven mastery of the written word. Reading Marble Dust is a memorable, exhilarating and a highly recommended experience.
—Harris Gardner, Poetry Editor, Ibbetson Street, author of No Time for Death

Cover photo: "Ionic column capital, 5th-4th century BCE, the Acropolis, Athens. Photo by the author."

$19.95 | ISBN: 978-1-950063-95-6 | 102 Pages

New Release: I REALLY LIKE LOVERS OF POETRY by Grzegorz Wróblewski

I REALLY LIKE LOVERS OF POETRY by Grzegorz Wróblewski
Translated from the Polish by Grzegorz Wróblewski & Marcus Silcock Slease
Červená Barva Press, 2024

Grzegorz Wróblewski was born in 1962 in Gdansk and grew up in Warsaw. Since 1985 he has been living in Copenhagen. English translations of his work are available in Our Flying Objects (trans. Joel Leonard Katz, Rod Mengham, Malcolm Sinclair, Adam Zdrodowski, Equipage, 2007), A Marzipan Factory (trans. Adam Zdrodowski, Otoliths, 2010), Kopenhaga (trans. Piotr Gwiazda, Zephyr Press, 2013), Let's Go Back to the Mainland (trans. Agnieszka Pokojska, Červená Barva Press, 2014), Zero Visibility (trans. Piotr Gwiazda, Phoneme Media, 2017), Dear Beloved Humans (trans. Piotr Gwiazda, Lavender/Dialogos Books, 2023) Asemic writing book Shanty Town (Post-Asemic Press, 2022).

Marcus Silcock Slease is a (mostly) surreal-absurd writer from Portadown, N. Ireland. He is the author of Puppy (Beir Bua Press), Never Mind the Beasts (Dostoyevsky Wannabe), The Green Monk (Boiler House Press), and Play Yr Kardz Right (Dostoyevsky Wannabe), among others. His poetry has been translated into Polish and Danish and has appeared or is forthcoming in various magazines and anthologies, including: Tin House, Poetry, The Lincoln Review, Bath Magg, New World Writing, Tupelo Quarterly, and in the Best British Poetry series. He lives in Sitges, Spain. Find out more at: Never Mind the Beasts (www.nevermindthebeasts.com)


"I REALLY LIKE LOVERS OF POETRY" is the latest book of poetry by Grzegorz Wróblewski. The English versions of the poems are the author's work in collaboration with Marcus Silcock Slease. The author was born in Poland in 1962 and has lived in Copenhagen, Denmark, since 1985. Grzegorz Wróblewski is translated into many languages. The current book raises existential issues concerning the paradoxes of human functioning, loneliness and human isolation. The poetic works in this book are often minimalistic, devoid of the metaphorical structure typical of European lyric poetry. They may sometimes be associated with Zen poetry. The poems from the volume "I REALLY LIKE LOVERS OF POETRY" are also a criticism of the modern world full of consumerism. They try to draw the reader's attention to issues that are lost in a world full of ruthless materialism.

Polish writer and visual artist Grzegorz Wróblewski has written I Really Like Lovers of Poetry directly in English with assistance of his friend and fellow writer Marcus Slease. A translation, a collaboration, certainly an experiment, it is above all a collection of mordant parables about humans — and occasionally nonhumans too. A moralist at heart, like Bertolt Brecht, Wróblewski demystifies and clarifies: "Everyone is looking for the truth. / The only truth is the rumbling / of our stomachs."
—Piotr Gwiazda, translator of Dear Beloved Humans: Selected Poems by Grzegorz Wróblewski

In his latest book of poems, Grzegorz Wróblewski delivers what readers have always loved him for: his take on not just the personal, but the condition of human beings and all creatures (I would like to wake up someday/among people who respect both/wolves and pigs) in the often mysterious planet we live on. Sometimes the take is acerbic, sometimes the take has a dark absurdity to it, sometimes the take is full of genuine wit, sometimes the take has a forbearance of humanity that even surprises the poet, but at all times these poems ring true in their brilliance, even if a bit of hurt must be endured for posing those truths: Listen to the silence of heaven./You won’t understand any of it. But at least you’ll be closer/to the silent clouds./Closer to where you got here/by a mistake. But there's no mistaking Wróblewski's poetic gifts and the lovely rigor of his challenging mind.
—Tim Suermondt, author of A Doughnut And The Great Beauty Of The World

Cover art: "50 x 50 The Boys from Amager II" by Grzegorz Wróblewski

$16.00 | ISBN: 978-1-950063-93-2 | 38 Pages

New Release: The Chronicler of Indifference Poems translated from Arabic by by Hussam Jefee-Bahloul & Samantha Kostmayer-Sulaiman

The Chronicler of Indifference Poems translated from Arabic by:
Hussam Jefee-Bahloul & Samantha Kostmayer-Sulaiman
Červená Barva Press, 2024

Bahloul (A.k.a Hussam Jefee-Bahloul) is a poet, musician and psychiatrist. He was born in Syria in 1983 and currently practices and teaches at the University of Massachusetts Medical School. He writes poems and essays both in Arabic and English. He has two books of poetry published in Arabic, and has published essays in both languages. Bahloul is also a musician and songwriter. His project "Ta'sheeq" aimed at dovetailing the elements of poetry, music and visual arts together. The project toured many cities and performed around the US between 2015-2018. His current musical project Souq El-Jum3a (Friday Market) is a musical collective that aims at making original Arabic music keeping up the spirit of classical songs.

Samantha Kostmayer is a writer, editor, educator, and translator from New York City. She graduated from Columbia University, CUNY, and the American University in Cairo with degrees in history, forced migration, and law; Samantha is currently completing her Ph.D in philosophy. She is writing a volume of short stories and her translations have appeared in various literary journals and anthologies. Her poetry has appeared in English, Swedish, and Croatian.


"...What surprises me is the liberty in which he [Hussam] writes his poems; creating new images, shoving new vocabularies in the ancient dictionary of poetry...Not only a buffoon bird, but also pain, disappointments, sadness, and futureless horizons. Thank you Hussam for this fearlessness and sensitivity."
—Maram Al-Masri, acclaimed Syrian-French poet, author of (A red cherry on a white-tiled floor) (2003)

"The opening line of the Arab Surrealist manifesto of 1975 proclaimed: “With disgust we shove aside the dregs of survival and the impoverished rational ideas which stuff the ash-can-heads of intellectuals.” While the author may or may not bear the direct or conscious influence of that movement begun in the 1930s, the tone and imagery of these eminently readable poems, ranging from the flippant to the wistful, with an updated pinch of post-modernist irony and self-referentiality thrown in, fashion poetry, and succeed in finding a universalism, out of the same rejection of the dual illusions of nationalism and rationalism."
—Alex Cigale, poet, editor, translator, lecturer in Russian Literature at CUNY-Queens College

Cover art and design: Kevork Mourad (The Offering, 2015, ink on paper, 114 x 241 cm) by Khalil Younes

$18.95 | ISBN: 978-1-950063-85-7 | 80 Pages

New Release: POSTMORTEM SAY poems by Amanda Newell

POSTMORTEM SAY poems by Amanda Newell POSTMORTEM SAY poems by Amanda Newell
Červená Barva Press, 2024

Amanda Newell is the author of I Will Pass Even to Acheron, a 2021 winner of the Rattle Chapbook Prize, and Fractured Light (Broadkill River Press), winner of the 2010 Dogfish Head Poetry Prize. Her poems have appeared in Bellevue Literary Review, Cimarron Review, Gargoyle, Rattle, Scoundrel Time, and elsewhere. A graduate of The MFA Program for Writers at Warren Wilson College, she has received scholarships from the Bread Loaf Writers' Conference and The Frost Place as well as a fellowship from the Virginia Center for the Creative Arts. She is an associate editor at Plume.


"Love and death, poetry's immortal themes, are interwoven throughout Amanda Newell's Postmortem Say. Death is everywhere—in the fields and forests, on darkened roads, in the delivery room—but there is also love, the kind that defies convention and outlasts death itself. These poems confront, without flinching, hard truths about what it means to be a woman, a mother, a wife, and a lover. Like "the clink of brass bullets as they spill from your pockets in the spin cycle," there are images here that continue to resonate long after the page has been turned."
—Sue Ellen Thompson, Winner of the Maryland Author Award and author of Sea Nettles: New & Selected Poems

"Amanda Newell's Postmortem Say is a collection of urgent and truthful self-revelations about marriage, motherhood, the life cycle of a love affair, all written within the maelstrom of our modern American violence. Blood is everywhere: the blood of birth, death, desire. Newell's language throughout is precise, viscerally arresting, yet always in touch with the pulse and breath of the vernacular. The poems whisper in the reader's ear of pain while providing the consolations of insight and compassion. For all the wounds suffered and remembered in Postmortem Say, this is a book that heals."
—Dan O'Brien, author of Our Cancers and Survivor's Notebook

"The poems in Amanda Newell's Postmortem Say are distinguished by driving intensity and subtle expertise. Even as this poet comes to terms with violence, loss, and absence, she remains utterly precise in her attention to her subjects, and lionhearted in her refusal of easy answers. These poems are vividly embodied. Amanda Newell is a dynamo of poetry, and nothing can stop her."
—Peter Campion, author of One Summer Evening at the Falls

Cover art: by Nancy Mitchell

$18.00 | ISBN: 978-1-950063-82-6 | 57 Pages

A New Release from Glass Lyre Press: Grief Touched the Sky at Night by Gloria Mindock

Grief Touched the Sky at Nightby Gloria Mindock
Glass Lyre Press, 2023

Gloria Mindock is editor of Červená Barva Press. She is an award-winning author of six poetry collections and three chapbooks. Her poems have been published and translated into eleven languages. Her recent book, Ash, was translated into Serbian by Milutin Durickovic and published by Alma Press in Belgrade in 2022. Ash, published by Glass Lyre Press (2021), won the International Impact Award, the NYC Big Book Award, the Firebird Speak Up Talk Radio Award, The Pacific Book Award, the International Award - The Princess, Noble Poetry Skills, Art Club of Ragkonik in Smederevo, Serbia, a Distinguished Favorite for the Independent Book Award, and a Bronze Medal from the North American Book Award. Other awards include the Allen Ginsburg Award for Community Service by the Newton Publishing Center, the Ibbetson Lifetime Achievement Award, the 5th and 40th Moon Prize from Writing in a Woman's Voice, numerous Pushcart nominations and three citations for Červená Barva Press as an editor and community service from the MA House of Representatives.

Gloria's work recently has appeared in Gargoyle, The James Dickey Review, 10 x 10, Ibbetson, Growth: Journal of Literature, Culture, & Art (Macedonia), KGB Lit, and others. Gloria was the Poet Laureate in Somerville, MA in 2017 & 2018. For more information about Gloria Mindock, visit her website at: www.gloriamindock.com


Gloria Mindock's book touches the very soul of Ukraine. The elevated stylistics and exceptional talent of the author reveal in depth all possible dimensions of the inhuman Russian aggression. This poetic diamond is a generalized universal message to the world, it is also the call of the Ukrainian heart, and it is a resistance against Putin's obscurantism. It is a powerful expansion of the senses that, through the depth of feeling, shows us that even in the darkest hour the human spirit does not stop resisting, rising, denying violence and carrying with it the eternal light of revelation and freedom. The author has achieved the perfect balance between the senses, reality, experience and emotion, and has reached the first literary sublimation of its kind; it is a book-message, unique in spirit, an artistic achievement woven of pain, hope, suffering, empathy and philanthropy. Gloria Mindock's genuine work is the poetic witness on the war. It sings the song of Ukraine. It hurts. It soars. It peaks. It rises above. This is the artistic blast that will defeat and outlive the apocalypse of Putin and his bloody regime. Grief Touched the Sky at Night is a book that will wait for peace and victory and then be read and studied for a long time.
-Svet DiNahum, author of Escape from Crimea, Winner of Červená Barva Press Dissident Award, Honorable Member of the Ukrainian National Writers' Association

These stark, candid, and radiant poems in Gloria Mindock's new collection give shape and space to voices lifted from the clutter and clamor that is the matrix of war. The war is upon us now, but poets forever have sung such lamentations and haunted us all too often throughout history. One thinks of Homer, Wilfred Owen, and Carolyn Forche. A fierce and generous tenderness and enviable humanity ungirds these unflinching poems. Mindock's is the voice we need to hear at this very moment.
-Eric Pankey, author of Not Yet Transfigured

Gloria Mindock's poetry collection was written during the living experiences of the war, which unfortunately, continue. The language of the poems is direct and full of metaphors, understandable, but concrete and abstract at the same time. Abstract to the point that the words war, blood, killing, loss, Bucha, and Kyiv are now in a line synonymous with a huge tragedy, "My body is naked// I did not remove my clothes. My dignity remains //while the dirt covers me //I love my country. //I love my country. //I am Ukraine" In the poem Boots, as if the name is of a Ukrainian soldier or refugee, the poet presents an opposing understanding to create the maximum effect of doom and helplessness. But at the same time an inner resistance and stubbornness are presented in its last lines, bearing witness to resolve and hope. In Mindock's poems, despite the depiction of a modern-day apocalypse, the understanding exists that "Everyone needs to be protected, // to be loved." Clearly the role of poetry hasn't lost its significance.
-Vasyl Makhno, author of Paper Bridge, Translated by Olena Jennings; with an introduction by Ilya Kaminsky

Cover photo: Natalia Zhurminskaya

$16.00 | ISBN: 979-8-9885737-3-9 | 71 Pages

New Release: I Tell You This Now by Daniel Lawless

I Tell You This Now by Daniel Lawless
Červená Barva Press, 2024

Daniel Lawless is the author most recently of The Gun My Sister Killed Herself With. Recent poems appear in FIELD, Barrow Street, Prairie Schooner, Ploughshares, Poetry International, Los Angeles Review, upsteet, SOLSTICE, Manhattan Review, Massachusetts Review, JAMA, and Dreaming Awake: New Prose Poetry from the U.S., Australia, and the U.K., among others. A recipient of a continuing Shifting Foundation grant, he is the founder and editor of Plume: A Journal of Contemporary Poetry, Plume Editions, and the annual Plume Poetry anthologies.


Daniel Lawless' extraordinary new book I Tell You This Now dazzles with poetry's strange power—"negative capability"—the courage to be vulnerable even in the moment of insight, to work at the threshold where the self ends and the street begins, to be the animal that knows it will die. It's an anarchic power that subverts all authority, including the speaker's. Adamant in their modesty, generosity, and ferocity, these poems can critique the absolutes—the giving of names ("Daniel"), the arc of time ("Sleek Green Car"), emptiness itself ("Ullage"). Always these poems speak to the real, the loved, the broken. Always the work is haunted by the injustices we suffer and inflict in a world which is collapsing inwards—"your dead father who is beautiful like Quang Duc setting himself aflame." Lawless' poems are wild, but search for a way to be responsible in a time of chaos. They live on the breath, but they bear the charge of a lifetime. Lawless is a visionary, a craftsman, and a terrific poet.
—D. Nurkse

When I read Daniel Lawless's poetry, I feel as if I am in the presence of an understated visionary. Deeply personal, his poems move on two levels— they are both in the world and looking down at it, as from above. They are poems of the ordinary and of a soul seeking redemption. They are poems of memory and suffering, longing as well as of celebration, insight and blessing. I am in awe of this poet and of this ingenious and luminous collection, I Tell You This Now.
—Nin Andrews

The poems in Daniel Lawless' I Tell You This Now evoke the photos of Diane Arbus in that they might make you want to turn away, but then only to turn back and go deeper, as he does, to find the humanity in this complex, difficult world. He mines photographs both real and imagined to create fresh, startling insights that sustain us, like the small daily joys of "...lumbering the cha-cha as she boiled the green out of Thursday cabbage." The collection unspools in one long, magnificent section-nothing to slow down or stop the accumulating momentum of these brilliant flashes. They're like old flashbulbs that briefly blind us as they sear into our consciousness. Death and illness hover over this book, as they hover in our lives, even as we hurtle ourselves forward. As Lawless writes, "how the dead live on/These scraps of memory we feed them like dogs./Always hungry, come-calling us by their name." There's a brilliant darkness to these poems that are full of light.
—Jim Daniels

Cover Art: Barn, Lake George (1936) by Alfred Stieglitz. Original from The Art Institute of Chicago.

$18.00 | ISBN: 978-1-950063-80-2 | 55 Pages

New Release: PILLARS OF MAGYAR POETRY Hungarian poems selected and translated by Paul Sohar

PILLARS OF MAGYAR POETRY Hungarian poems selected and translated by Paul Sohar
Červená Barva Press, 2024

Paul Sohar (born 1936, in Hungary) found his way as a 1956 refugee to the United States where he continued his studies in philosophy and chemistry. The latter subject secured for him a day job in a research lab, but at night he immersed himself in literature. After early retirement on disability, his sporadic publications grew to an avalanche of poetry, prose, and translations. His own poetry has appeared in three books, one of them a prize winner Wayward Orchard (Wordrunner Press, 2011), and the latest being In Sun's Shadow (Ragged Sky Press, 2020). His nineteen volumes of translations have earned him four prizes, most recently the Balassi Literary Translation Grand Prize (2021, Budapest, Hungary). His writings and translations have appeared in hundreds of periodicals such as Agni, Kenyon Review, Rhino, Writers Journal, and others.

This brief anthology covers six centuries and contains some of the most popular Hungarian poems in addition to many of the translator's favorites.

Cover art: Jan Ten Broeke (1930-2019)

$21.95 | ISBN: 978-1-950063-86-4 | 171 Pages

New Release: HERE'S PLENTY poems by David Radavich

HERE'S PLENTY poems by David Radavich
Červená Barva Press, 2023

David Radavich is the author of two narrative collections, America Bound: An Epic for Our Time (2007) and America Abroad: An Epic of Discovery (2019). Among his lyric volumes are Slain Species (London, 1980), By the Way: Poems over the Years (1998), Greatest Hits (2000), and Canonicals: Love's Hours (2009). Middle-East Mezze (2011) focuses on a troubled yet enchanting part of our world, while The Countries We Live In (2014) explores inner and outer geographies. Unter der Sonne / Under the Sun (2022) features Radavich's German poems with English translations. Here's Plenty celebrates the sometimes searing yet ultimately redemptive richness of our planet and human experience.

Radavich's plays, both serious and comic, have been performed across the U.S., including six Off-Off-Broadway, and in Europe. He has published scholarly and informal essays and presented in such far-flung locations as Canada, Egypt, England, France, Germany, Greece, and Iceland. He has served as president of the Thomas Wolfe Society, Charlotte Writers’ Club, and North Carolina Poetry Society and currently administers the Gilbert-Chappell Distinguished Poet Series.


The poems in David Radavich's Here's Plenty come in seamless variations of splendor. The whole shapes a music lyrical and beautiful as the morning rain.
—Shelby Stephenson, former Poet Laureate of North Carolina

The title of David Radavich's remarkable collection is apposite. Here’s Plenty characterizes a broad panoply of states of mind and feeling that are in process of change, leaving alterations that may be new problems. Chaos is held in check only by means of will power, a duty to one's own humanity. "Prometheus on the Crag" shows Everyman as a figure whose duty is to suffer. Many poets are strong but few are tough in this necessary way. "Be generous / in your hatred: // You never know / what you’ll become."
—Fred Chappell, former Poet Laureate of North Carolina

Sometimes when we pick up a book of poems, we want it to feel like we are calling an old friend on the phone who understands and accepts us; Here's Plenty is that kind of book. From the opening lines of the first poem "Sun Blanched," which turns out to be a poem about the acceptance of loss, Radavich announces: "This is the fertile / garden I never knew." Here is a poet at peace with himself and the life he has made in this garden. There's an honesty about family, aging, history and place that is comforting. Rooted in the South, "A place where old water / draws back / and memory / and pain are blended," Radavich's poems pave "the way / into the bright darkness."
—Marjory Wentworth, former Poet Laureate of South Carolina

$18.00 | ISBN: 978-1-950063-31-4 | 84 Pages

New Release: WORDS UNWHISPERED Ghazals in the Time of the Pandemic, 2021
by Pamela L. Laskin

WORDS UNWHISPERED Ghazals in the Time of the Pandemic, 2021
by Pamela L. Laskin
Červená Barva Press, 2023

Pamela L. Laskin is a lecturer in the English Department at City College, where she teaches undergraduate and graduate Children’s Writing, and directs the Poetry Outreach Center. Several of her children's and poetry books have been published. Ronit and Jamil, A Palestinian/Israeli Romeo and Juliet in verse was published by Harper Collins in 2017, and was named among the 35 books to have on your radar for 2017. Bea, a picture book, was a finalist for the Katherine Paterson Prize for Children's Fiction in 2018. She is the winner of the 2018 International Fiction Prize from Leapfrog Press, and Why No Bhine, an epistolary novel about the Rohingya Muslims, was published in 2019. The Operating System published a bilingual picture book, Monster Maria, which is about Hurricane Maria, and is being used as a fundraiser for after-school programs in Puerto Rico. Linus Press published My Secret Wish about families seeking asylum, and is also being used as a fundraiser for Immigrant Families Together.

The Lost Language of Crazy, a middle grade-novel, was published in November, 2021 (Atmosphere Press). She is currently at work with Ukrainian author Vasyl Makhno on a YA novel in verse, Wisteria and Weeds, whose focus is on the war in the Ukraine, and what it means for the lives of teens.

Finally, she is this year's (2023) recipient of Judith's Room Freedom Through Literacy Board option prize for her current novel.
Follow her: twitter@RonitandJamil and follow her blog: http://PamelaLaskin.blogspot.com


Pam Laskin's WORDS UNWHISPERED: Ghazals in the Time of the Pandemic, 2021 is a stunning collection that documents the emotions, challenges, and fears that existed during the height of the pandemic. No topic is taboo here; love, death, longing, politics, family and isolation all appear in this haunting collection. There is a subtle melody and musicality underlying this extraordinary collection; a silent force that is a gift to her readers. Laskin herself reminds us of the gift of her poetry "the music melts my heart/in songs of ghazals/so every day I write/the gift of ghazal."
—JP Howard, author of SAY/MIRROR

"WORDS UNWHISPERED is a reminder of the importance of the ghazal being an ancient Arabic verse that deals with grief and loss. Laskin's accomplishments in this area of grief and loss reminds the reader of "Remembering the Fireflies," when Laskin concludes the stanza with, "Like a hemorraged rose." I have read the ghazals by John Hollander, Adrienne Rich and Patricia Smith, but Laskin stands among the greats."
—Robert Anthony Gibbons, author of Flight and Close to the Tree

Cover Art: Elissa Cohen

$16.00 | ISBN: 978-1-950063-97-0 | 60 Pages

New Release: The Last Day by Krikor Der Hohannesian

The Last Day by Krikor Der Hohannesian
Červená Barva Press, 2023

Krikor Der Hohannesian’s poems have appeared in over 275 literary journals including The South Carolina Review, Atlanta Review, Louisiana Literature, Connecticut Review, Comstock Review and Natural Bridge. He is a five-time Pushcart Prize nominee and author of three books, "Ghosts and Whispers" (Finishing Line Press, 2010), "Refuge in the Shadows" (Cervená Barva Press, 2013) and "First Generation" (Dos Madres Press, 2020). "Ghosts and Whispers" was a finalist for the Mass Book awards poetry category in 2011. "First Generation" was selected as a "must read" by Mass Book Awards in 2021.

Cover art: "City Landscape" by Garabed Der Hohannesian

 

$16.00 | ISBN: 978-1-950063-20-8 | 37 Pages

New Release: Becoming Mirsky by Paul Beckman (Fiction)

Becoming Mirsky by Paul Beckman Becoming Mirsky by Paul Beckman
Červená Barva Press, 2023

Paul Beckman's last flash collection, "Kiss Kiss" was a finalist for the Best Indie Awards for short story collections 2019. Paul had a micro-story selected for the 2018 Norton Anthology New Micro Exceptionally Short Fiction, was one of the winners in the 2016 The Best Small Fictions and his story "Mom's Goodbye" was chosen as the winner of the 2016 Fiction Southeast Editor's Prize. Paul was nominated for the 2019 Best Small fiction series and had a story accepted for the 2022 Best of Microfictions. He's widely published with over 750 stories. Paul hosts the monthly Zoom FBomb global flash fiction reading series.


"Finally a Mirsky book! I’ve loved Mirksy since he first appeared in Paul Beckman's work, and in this collection Mirsky gets to rightfully shine, coming of age with paper routes, Devil dogs, pinball, bullies, absent fathers, Jewish mothers, Kosher Soap, and the inevitable disappointments and salvations of any survived childhood, especially one set in the big city projects of America. In Becoming Mirsky, we traverse the full range of Beckman's talents—the ironic, the asinine, and the wonderfully ridiculous, yes, but also the difficult, the poignant, and the downright tragic. I'm not sure if I love Beckman or Mirsky more, but I'm thrilled to indulge both here."
—Nancy Stohlman, author of After the Rapture and Going Short: An Invitation to Flash Fiction

"Every so often a memoir is penned that transcends a literary filigree of recollections and gives us an authentic, deeply felt, and brilliantly written "accounting." Paul Beckman's Becoming Mirsky is such a book. In it are the quixotic and thrashing winds of culture, of youth — of "“becoming" itself. Here, Ethos and Pathos bespeak a life in a common tongue we all can understand. Here, buoyed by Beckman's wry wit, recollection is not a ghost, but rather a flawed, but earnest assortment of characters on the page we wish to know about. Care to know about. What a fine and accomplished work this is."
—Robert Scotellaro, author of What Are the Chances? and Ways to Read the World

"No one does it like Beckman — raw, raucous, poignant, vulnerable— headlong into the underbelly of Jewish family mishugas; a confabulation of stories too embarrassing to own or identify with. Beckman's razor—sharp insight splays out before us, leaving the reader with nowhere to hide and forever changed. Mirsky oozes originality, warmth, humour, and pathos. Brilliant!"
—Karen Schauber, editor/author of "The Group of Seven Reimagined: Contemporary Stories Inspired By Historic Canadian Paintings" (Published by Heritage House, 2019)

"From the brilliant and prolific pen of Paul Beckman comes the compelling, funny, heartbreaking novella-in-flash, Becoming Mirsky. This collection of short stories follows the life of Reuven Mirsky from his Jewish boyhood in the projects of the Bridgeport. CT, to his service in the Air Force, and on to a new life in New Haven Connecticut suburbs. This is a layered story of place and family, of tradition and loss and survival. The child of a broken home, Mirsky is perennially misunderstood and emotionally neglected. Yet he faces the world with resilience, rebelliousness, and a sarcastic tongue that gets him into no end of trouble. The writing all through is deft and beautifully distilled. In these pages, Beckman has given us an unforgettable story of disarming courage and wit and sensitivity."
—Kathy Fish, author of Wild Life: Collected Works

In Paul Beckman's unmistakable voice, a comfortable cup of coffee with a stiff shot of scotch, we meet (or better, examine) his recurring character, Reuven Mirsky, with all of the kid-of-the-fifties memories, so vividly drawn – lemon ices and paper routes - and the characters that inhabit Mirsky's world, a Bar-Mitzvah ruining Rabbi, Mirsky's kosher soap mother, and the father who only made guest appearances from time to time. A poignant, heart-tugging, witty, and ultimately triumphant story. A wonderful and memorable read.
—Francine Witte, author of Just Outside the Tunnel of Love

When master flash fiction writer Paul Beckman put pen to paper for Becoming Mirsky, he demonstrated why he's been selected for a Norton Anthology, a winner for Best Small Fictions, and a winner of Fiction Southeast's prize. Becoming Mirsky is as good as it gets, following the life of Mirsly, a Jewish boy growing up in poverty in the projects of Bridgeport, Connecticut, and experiencing a rough, yet incredibly realistic, life, even among his closest family members. Becoming Mirsky illustrates how we rise above, move on, and become more.
—Niles Reddick, author of Drifting too far from the Shore, Reading the Coffee Grounds, & Road Kill and Other Oddities

Beckman hits it out of the park, again. In Becoming Mirsky, a sidesplitting flash fiction bildungsroman that traces the trials of a young man growing up in Marina Village, a public housing project, Beckman sketches with his signature hilarity and warmth, the fraught path to adulthood for Mirsky. Sometimes innocently, and sometimes not-so-naively, Mirsky navigates his way among hardscrabble family, neighbors, and schoolmates. In adventures that range from delivering groceries past a dead man's body in a funeral parlor, to relishing the thought of one day becoming a successful shoe salesman so that he can smell the tantalizing scent of new shoe leather, Mirsky gradually learns the ways of the world. And as he recounts his hilarious adventures, readers learn that Mirsky’s world, while uniquely colorful, if at times hardboiled, is not so terribly different from their own.
—Brad Rose, author of Lucky Animals and No. Wait. I Can Explain.

$18.00 | ISBN: 978-1-950063-78-9 | 74 Pages

New Release: NOT FOR AMNESIA by Lo Galluccio (Chapbook)

NOT FOR AMNESIA by Lo Galluccio NOT FOR AMNESIA by Lo Galluccio
Červená Barva Press, 2023

Lo's first published release is Hot Rain, a poetry collection on Ibbetson Street Press, followed by Sarasota VII a prose poem memoir on Červená Barva Press. In 2010, Alternating Current Press released Terrible Baubles which was also made into spoken word CD with music. She's been nominated for four Pushcart Prizes in poetry. Her other two CDs as a vocalist are Being Visited on the Knitting Factory label and Spell on You, a self-release. They can be heard on Bandcamp, Spotify and Amazon Prime. Lo served as Poet Populist of Cambridge between 2013-2015. She completed her MFA in creative writing from Stonecoast in July 2019. Her work has appeared in Litkicks.com, www.strangeroad.com, The Heat City Literary Review, The Solstice Literary Review, Night magazine, Home Anthology, Eden Waters Press, Lungfull magazine!, Constellations Journal, Wilderness House Literary Review, Ibbetson Street, The Oddball Review, Muddy River Review, among others. She's performed at the Boston Poetry Festival and the New York City New Year's Day Poetry Marathon for the Poetry Project. She currently lives in Cambridge, MA with her cat Lucy, an aloof tabby, but has drawn most of her inspiration from New York City where she lived between 1991 and 2001 on the Lower East Side.


Lo Galluccio is the bad girl tearaway from the furnished souls of Cambridge ladies, and found refuge in the haunted spirits of Sexton and Plath. Now she's knocking on your door with her box of angry candy — fifteen poems leap out and bite before you've had a chance to taste them. Sweet with venom that cures, brutal and bruised into beauty, you'd be wise to flee from her offering — but at what cost? She has been to bedlam and comes all the way back. NOT FOR AMNESIA is not so much a collection of poems but the major arcana of her personal tarot offering guidance; a set of branding irons so you will never forget.
—Richard Cambridge, author of Pulsa: A Book of Books

Once again Ms. Galluccio with her heady images and songlike poems, marches into your psyche Her latest offering of poems, small sacrifices on the altar of memories and forgetting, does not disappoint. Her poems blend into a crooning song about lust, love, remorse, and sometimes anguish – "My desire/comes before /the world wars." Reading Galluccio is like discovering a modern-day Goth poetess and wondering why it took you so long to find her.
—Julia Carlson, author of Little Creatures

To crave blankness, to paint desire orange, pain yellow or to find grounding in going "home a waiter/from a bad shift, grotesque,/no good tips," Galluccio's language attests to spontaneity and unusual responsiveness to the unexpected. She heeds an essential call to poets: Take language, which makes and keeps us familiar, and deliver it rather strangely, singingly ("Because she may break he waits,/and the and the trees stiffen in all directions"), to open the eye asleep in its everyday gaze. To waken the eye.
—Michael Todd Steffen, author of On Earth As It Is

$13.00 | ISBN: 978-1-950063-81-9 | 30 Pages

New Release: This Side of Utopia poems Thad DeVassie (Chapbook)

This Side of Utopia poems Thad DeVassie
Červená Barva Press, 2023

Thad DeVassie is a poet and writer who pivots between traditional line breaks of poetry and a linear love of prose poetry, flash fiction, and creative nonfiction. In 2020 he was named a winner of the James Tate Poetry Prize for his manuscript Splendid Irrationalities (SurVision Books). In 2021, his project Year Of Static, containing 11 original paintings with accompanying micro prose, was published by Ghost City Press. It evolved into the art exhibition Love Your Neighbor in 2022. A lifelong Ohioan, Thad writes and paints from the outskirts of Columbus.

This Side of Utopia straddles a fine line between how we think things should go and how they ultimately play out. With equal parts heartfelt longing and comic absurdity, these poems move effortlessly from the mundane to the magical, toggling between lined and prose poems. With a voice all his own, Thad DeVassie taps the haunting playfulness of Charles Simic, the otherworldly surprises of Russell Edson, showing this collection to be one continuous balancing act. Utopia might be an untenable idea, but subtle comforts and a few silver linings still exist in the here and now.

Cover art: "Before the Fall" by Thad DeVassie

$13.00 | ISBN: 978-1-950063-67-3 | 31 Pages

New Release: An Alphabet of Last Rites by Marc Vincenz (Chapbook)

An Alphabet of Last Rites by Marc Vincenz
Červená Barva Press, 2023

Marc Vincenz is a poet, fiction writer, translator, editor, musician and artist. He has published over 30 books of poetry, fiction and translation. His more recent poetry collections, include A Brief Conversation with Consciousness, The Little Book of Earthly Delights, There Might Be a Moon or a Dog, 39 Wonders and Other Management Issues, The Pearl Diver of Irunmani, A Splash of Cave Paint, and The King of Prussia is Drunk on Stars.

Marc's work has been published in The Nation, Ploughshares, Raritan, Colorado Review, Washington Square Review, Plume, Fourteen Hills, Willow Springs, Solstice, World Literature Today, The Notre Dame Review, The Golden Handcuffs Review, The Los Angeles Review of Books and many other journals and periodicals.

He is publisher and editor of MadHat Press and publisher of New American Writing, and lives on a farm in Western Massachusetts where there are more spiny-nosed voles, tufted grey-buckle hares and Amoeba scintilla than humans.


"Marc Vincenz knows how to ‘strain the essence...’ of life. His cinematic lures are full of vim and drama. This is is an heroic epic distilled into short passages- where wit and experience thrust and parry in a perpetual hazing rite-an utterly innovative work of discovery. It bores into the soul drop where we find what we’re made of. In An Alphabet of Last Rites, a mutable feast of prose poems, Marc Vincenz grapples with those reckonings. As the title implies, he ponders our destination while reveling in the journey, mixing the quotidian and the quixotic with his trademark quicksilver facility. Wondrous. Wry. Incredibly novel. An affirmation of what it means to be alive."
-Jeffrey Cyphers Wright

"‘Emboldened, empathetic, empowered, emphatic’: Marc Vincenz's An Alphabet of Last Rites has a cast of characters ranging from Catherine the Great and Eva Peron to minotaurs to "thieves, pirates, dastardly characters you've only seen on the silver screen." As you sip your fourth martini, enjoy this cornucopia of unceasing poetic imagery and relentless conceits, and be captured by the seemingly limitless fecundity of language, which these last rites offer."
-Larissa Shmailo

"This book concerns a character, a linguistically nationless and particular internationalist poet’s language. It’s also a prose-poetry sequence in the form of a primer. Marc Vincenz’s An Alphabet of Last Rites is spoken by the personification of language, while the person consistently addressed, a reader, a listener, is actually the poet himself. Gradually, this personification goes completely out of his head with embraced eccentricity, and you are thinking maybe this is a job for Robert Browning. The reader wins with this alphabet of short prose poems that are beautiful and funny and weird, all style, yet generous and tolerant of our faults."
-David Blair

$13.00 | ISBN: 978-1-950063-94-9 | 42 Pages

New Release: MEMORY OF THE SPECIES Selected Poems Margara Russotto

MEMORY OF THE SPECIES Selected Poems Margara Russotto
translated from the Spanish by Peter Kahn
Červená Barva Press, 2023

Note on the Author | Margara Russotto
Venezuelan poet, scholar and translator born in Italy. PhD in Comparative Literature, University of São Paulo. Professor of the Universidad Central de Venezuela where she founded the Women's Studies. Translator of poetry and essays by Italian, Venezuelan and Brazilian writers, such as Antonia Palacios, Enrique Bernardo Núñez, Oswald de Andrade, Antonio Candido, Giuseppe Ungaretti, Claudio Magris, among others. She has received award for her poetry and her literary research, including the Poetry Award "José Antonio Ramos Sucre" (Venezuela, 1995), a Fulbright Scholarship (USA, 1998), and the LASA Award (USA, 2007) for editing the volume La ansiedad autorial. In 2010 she was a writer-in-residence at the Chateau de Lavigny International Writer's Residence. Currently, she is a Professor of Latin American Literature at the University of Massachusetts, Amherst, where she also teaches Creative Writing in Spanish. Recent book (selected essays): Cantabile. Celebración de la poesía latinoamericana (Madrid, 2020).

Note on the Translator | Peter Kahn
Peter Kahn is a professional translator living in Vermont (USA). He has translated works of fiction and nonfiction by numerous Latin American and Spanish writers, including Tununa Mercado, Elvira Orphée, Esther Cross, Javier Moreno, Hugo Clemente and Gwendolyn Diaz. His fiction and poetry translations have appeared in various publications, including Grand Street, Gastronomia, Santa Barbara Review, Modern Poetry in Translation, The Massachusetts Review, and several anthologies. In 2015, he was awarded the Massachusetts Annual Chametzky Prize for his translation of Margara Russotto's poem "Of Useless Knowledge."

$19.95 | ISBN 978-1-950063-22-2 | 106 Pages

New Release: FRACTURED LENS by Vijaya Sundaram

FRACTURED LENS by Vijaya Sundaram FRACTURED LENS by Vijaya Sundaram
Červená Barva Press, 2023

Vijaya Sundaram is the Poet Laureate of Medford, Massachusetts (2023-2025). Originally from India, Vijaya Sundaram is a poet, musician, singer-songwriter, and educator. Her work has appeared in the Rising Phoenix Press, the Stardust Review, and TELL Magazine. This is her first collection of poems in print. She lives in Medford, Massachusetts with her husband, daughter, and Holly, their standard poodle.

$16.00 | ISBN: 978-1-950063-66-6 | 52 Pages

New Release: Heavenly Bodies at the MET by Ellen Devlin (chapbook)

Heavenly Bodies at the MET by Ellen Devlin
Červená Barva Press, 2023

Ellen Devlin is the author of two chapbooks, Rita, (2019) and Heavenly Bodies at the MET (2023). Her poems can be found in The Cortland Review, Ekphrasis, Lime Hawk Review, PANK, The New Ohio Review, The Sow's Ear and Women's Studies Quarterly Review. and other journals, most recently Beyond Words, 2023, Muleskinner 2023, and The Westchester Review, 2023. She lives in Irvington, New York with her husband, Charles.


"Heavenly Bodies at the Met explores the ecclesiastical garments created by well known designers inspired by Catholic liturgy. In this collection, Ellen Devlin describes the various gowns and garments with the descriptive eye reminiscent of Elizabeth Bishop. Many of the garments become reflective journeys through the poet's own life. Each supplies an emotional awareness that is rendered in vivid, concise language. This a deeply human collection, a personal confrontation and examination of the poet's life and as you read perhaps your own."
-Kevin Pilkington, author of Playing Poker With Tennessee Williams

"This is my body / my silken birthright. / sieve me for sin / and fragrant apples fall from / bee-studded trees," writes Ellen Devlin in Heavenly Bodies at the MET, her gorgeous, glowing testament to the costume exhibit of that name. Speaking to how the exhibit at the Metropolitan Museum of Art exalted the female form in haute couture gowns inspired by Church history, Devlin embraces the divine and the quotidian, the elegant sweep and the stunning detail, reminding us, as "silver roses abundant bloom / from her shoulders /cross breasts and hips / with botanical precision-" that each dress, each poem, in its innermost essence, holds the true grace of the numinous feminine: "the casing of her holiness / the beating heart of a living woman." Reader, come and let your senses be clothed in such beauty.
-Gillian Cummings, author of The Owl was a Baker's Daughter

$13.00 | ISBN: 978-1-950063-57-4 | 28 Pages

New Release: Natural Tendencies by James B. Nicola

Natural Tendencies by James B. Nicola Natural Tendencies by James B. Nicola
Červená Barva Press, 2023

James B. Nicola's poems have appeared in the Antioch, Southwest and Atlanta Reviews; Rattle; and Barrow Street. His seven full-length collections are Manhattan Plaza, Stage to Page, Wind in the Cave, Out of Nothing: Poems of Art and Artists, Quickening, Fires of Heaven, and Turns & Twists. His nonfiction book Playing the Audience won a Choice award. He has received a Dana Literary Award, two Willow Review awards, Storyteller's People's Choice award, one Best of Net, one Rhysling, and ten Pushcart nominations-for which he feels both stunned and grateful. A graduate of Yale, he hosts the Hell's Kitchen International Writers' Round Table at his library branch in Manhattan: walk-ins are always welcome.


This latest of James Nicola's themed collections celebrates the natural world in all its beauty, power, and complexity, from the smallest grain of sand to the vastness of the heavens. Whether expressing a child's rapturous awe or an adult's sober contemplation-or the other way around-the poems are characterized by precise observation, vivid description, and technical ingenuity. Among them are lyrics of such delicacy and finish, including "The Succulent" and "Ivy," that any true poet would be happy to have written them.
-Michael Palma, author of Begin in Gladness

Some very wild jumps herein, from the sacred to the profane and back to the literal earthly mundane. I did like these poems. Rather off beat from the generally incomprehensible poems you see.
-John Hanson Mitchell, author of Following the Sun

In James B. Nicola's Natural Tendencies, we "can still taste the wild and green aroma" of his landscapes-both of the interior and the natural world. His robust imaginative intelligence is honed, his touch is lyrical, and his tone is adept. These poems address "This wonderment, / This universe" in an age when green space is vanishing and the climate is warming. In response, there is a solace and a resonance to be found in Natural Tendencies, demonstrated in the poems' adept craft and uniquely adroit voice.
-Wally Swist, author of Taking Residence

"Welcome to my world," says Nicola at the portal to this book, and "world" is the right word for rich realm into which we're invited, that of nature, in all its manifestations. The verse is beautifully evocative throughout, the evocation being informed by a mystical, zen-like appreciation that repeatedly crystallizes in aphorism. The book ends with one of the most memorable such moments: "And one lone soul might likewise warm my way / to light and God. It won't be one I've met, / but you, whom I have not imagined yet."
-Dan Brown, author of Taking the Occasion

Cover art: "Springtime on Grant Creek" by Monte Dolack

$18.00 | ISBN:978-1-950063-61-1 | 101 Pages

New Release: Secret Behind the Gate by Zvi A. Sesling (Fiction)

Secret Behind the Gate by Zvi A. Sesling Secret Behind the Gate by Zvi A. Sesling
Červená Barva Press, 2023

Zvi A. Sesling, Poet Laureate Emeritus of Brookline, MA (2017-2020) has published flash fiction and poetry in numerous magazines both in print and online in the United States, Great Britain, Ireland, France, Cyprus, New Zealand, Australia, India, Canada and Israel. He was awarded First Prize in the Reuben Rose International Poetry Competition. He was selected to read his poetry at New England/Pen "Discovery" by the late Boston Poet Laureate Sam Cornish. His poetry was selected for the Spring Rain Poetry Festival on Cyprus and his Hay (na) ku poetry is part of a display at the San Francisco Library. In addition, he has a Hay (na) ku, two poems and four flash fiction stories in Stanford University's Life in Quarantine project. Sesling was twice a featured reader in the Jewish Poetry Festival in Brookline, MA and is a regular reviewer for the Boston Small Press and Poetry Scene. Sesling is Editor of 10By10 Flash Fiction Stories and Muddy River Poetry Review. He has been a featured reader in various venues in the Boston area, San Diego, the Massachusetts Poetry Festival and the Boston National Poetry Festival. He has also read on local radio and cable television programs. He is author of four books of poetry, War Zones, The Lynching of Leo Frank, Fire Tongue and King of the Jungle and and three chapbooks, Simple Game, Baseball Poetry; Love Poems from Hell and Across Stones of Bad Dreams. He is the author of the recently published flash fiction chapbook Wheels. Sesling taught at Suffolk University, Emerson College and Boston University. He lives in Brookline, MA with his wife Susan J. Dechter.


Read Zvi Sesling's musings in Secret Behind the Gate and you’ll be instantly transported into zany, oftentimes ironic, journeys traversing the narrow alleyways, backroads, and main streets of Zvi's vivid imagination. His delightful nuggets are easily digestible but, oh so hard to put down!
-Phil Temples, author of The Allston Variant and Uncontacted Frontier

It takes an exceptionally rich imagination to conceive over two hundred truly distinctive pieces of short fiction. While microscopic in length, Zvi Sesling's tales are macroscopic in their ability to entertain and provoke. You laugh, you cry, and you think... really think--no small achievement in such attenuated works. I had several favorites in Secret Behind the Gate, foremost among them, "Nowhere Man," "The Bride Wears Black," and "What We Can Hope For." Indeed, these made me chuckle, tear up, and ultimately ponder the meaning of their message. They all had something of value to convey--maybe none more so than the book’s namesake. It's no secret that Zvi is an original raconteur of the highest order, a storyteller par excellence, possessing enormous wit and empathy.
-Michael C. Keith, author Insomnia 11 and Stories in the Key of Me

When reading Zvi Sesling's Secret Behind the Gate, which I highly recommend, don't just cram a bunch of its tasty morsels into your mouth at once. They must be individually chewed, savored, and digested to be completely appreciated. They range from short fiction to flash fiction to micro fiction to something dangerously close to poetry, from profoundly funny to ironic to wistful to deeply sad, so you'll never know what's coming next.
-Rob Dinsmoor, author of Toxic Cookout

$19.95 | ISBN: 978-1-950063-68-0 | 223 Pages

New Release: AMERICAN QUEERS poems by Jesse Mavro Diamond

AMERICAN QUEERS poems by Jesse Mavro Diamond AMERICAN QUEERS by Jesse Mavro Diamond
Červená Barva Press, 2023

Jesse Mavro Diamond has been writing poetry since childhood, when at 7, she was the proud and delighted author of her first published poem, "Summer is Over." Throughout the next six decades, her writing has explored issues of deep interest to her including identity, gender politics and the diverse societal influences that shape our lives. Mavro Diamond's experiences as a Jewish woman, feminist, martial artist, and teacher of English Language Arts at both the secondary and college level has informed every aspect of her writing. She is the author of four plays and six volumes of poetry, including Swimming the Hellespont, whose title poem was chosen to be honored by the Tennessee Williams Literary Festival. Most recently, she developed and taught the first Creative Writing Course in Boston Latin School's 364-year History. Her work has been published and performed within the United States and internationally.

In 2004, when same-sex marriage was legalized in Massachusetts, Mavro Diamond married her partner of 27 years. They reside in the Boston area.


Jesse Mavro Diamond's poetry in AMERICAN QUEERS Impresses with historical vision and authenticity. Poems move seamlessly between contemporary and mythic worlds. Diamond's poetry combines a keen resistance to heteronormative culture with a lyric eroticism that evokes Sappho. The book will hit a nerve for anyone whose personal history is entrenched in the early gay rights movement but will equally resonate for those learning about the period through the nuance of its of its insights.
-Judson Evans, co-author of Chalk Talk and Professor of Liberal Arts at Berklee College of Music

In AMERICAN QUEERS: Poems Celebrating Mid-Century Gay Activists, Jesse Mavro Diamond imagines a metaphoric kingdom inhabited by four relatively unknown gay and lesbian royal champions. With sharp wit and whole-hearted empathy, the poet extols and elegizes Stormé Delarverie, Richard Leitsch, Pat Parker and Charley Shively. Appending the poems with well researched biographical notes on each activist, diverse readers, students and teachers will discover the work is compelling and informative. AMERICAN QUEERS "impresses with historical vision and authenticity."
(Judson Evans)

$18.00 | ISBN: 978-1-950063-77-2 | 54 Pages

New Release: THEM! by Gary Fincke

THEM! by Gary Fincke THEM! by Gary Fincke
Červená Barva Press, 2023

Gary Fincke's books have won The Flannery O'Connor Prize for Short Fiction, the Robert C. Jones Prize for Nonfiction Prose, and what is now the Wheeler Prize for Poetry. His latest collections are Nothing Falls from Nowhere: Stories (Steven F. Austin, 2021) and The Mussolini Diaries (Serving House, 2020). His new collection of essays The Mayan Syndrome will be published later this year by Madhat Press. Its lead essay, "After the Three-Moon Era," was selected to be reprinted in Best American Essays 2020.


Cover artist Shannon Rae Fincke is also an Art Educator and Art Administrator living and working in Los Angeles, CA. Her work has been exhibited at museums and galleries internationally, and has been featured in print, film, and television. She is the Founder/ Director of Institute for Visual Arts, mother of three children, and daughter of Gary Fincke.

Gary Fincke's chapbook Them! is packed with poems prompted by films that range from the lowest of the B-Movies of the 50s to A-list horror to Biblical epics. In tones varied from satirical to serious, he finds significance in the absurdities of rubber-suited monstera and cavorting snake women as well as man-made catastrophes that foreshadow the horror of ecological disasters. Them! will make readers laugh and cringe and think, often in the same cleverly constructed poem.

$13.00 | ISBN: 978-1-950063-52-9 | 36 Pages

New Release: The Tavern of Lost Souls by Alan Britt

The Tavern of Lost Souls by Alan Britt
Červená Barva Press, 2023

I grew up in southeastern Florida where hot summer days sizzled and summer nights’ humid lips of jasmine pressed against my frosted bedroom jalousies. An aspiring athlete, I wanted to play for the Milwaukee Braves-I thought Hank Aaron was poetry in motion. Well, songwriter for a garage band, later I found myself a college sophomore writing poetry and a founding member of a group of poets and artists known as the Immanentists. Though somewhat eclectic, we were a blend of European Surrealism with a Native American sensibility who believed that through language and paint we could attain spiritual fusion with the natural world. After reading The Immanentist Anthology, the great French poet, Yves Bonnefoy, said that Immanentism was the most exciting poetry he had seen from the US in decades. What a thrill! I remained in contact with Yves until his death in 2016. Eventually, I drove a yellow Ryder truck from West Palm Beach to Baltimore to attend the graduate Writing Seminars at Johns Hopkins University where I made a beeline to the National Gallery in DC to marvel at the wondrous creations by Rembrandt, Vermeer, Monet, Manet, and Odilon Redon. Baltimore became my heaven with snow. Inspired by Andrew Marvell, William Blake, Walt Whitman, Federico García Lorca, Gabriela Mistral, Pablo Neruda, Eunice Odio, Sandor Kanyadi, Kristina Ehin, plus hundreds of others, I now write poems about anything and everything. Along the way I've learned that to write poetry is to love, and to love is to write poetry.
-Alan Britt

Alan has published 25 books of poetry.


"When thunder becomes symbolic again, / then and only then we'll discover / the true nature of existence." Not true. We know it right here in this book-this prism-this kaleidoscope of the soul bursting with imagination. And the poet's everyday world is never lost, even while tethered to high-flying multi-imaged phrases and clauses. Alan Britt's literary personality is here, precise in every note. The poetic will of each line, urgency and flair, teaches us the game.
-Grace Cavalieri, Producer/Host of Public Radio's "The Poet and the Poem from the Library of Congress" and Maryland Poet Laureate

In The Tavern of Lost Souls, each poem rises through the reader like wine, filling the mind with the intoxication of life viewed from this unique and humanitarian perspective. Alan Britt combines elements of sensuality and subtle humor with a depth of feeling "thick with the aroma of fresh imagination." About Baudelaire he writes, "Sifting his way through human frailty, / paying attention to things lesser poets buried / beneath the borrowed sentiments of their age . . ./" These words could apply to his own work as well, as reality and fantasy walk through these pages together, creating an addictive book one finds difficult to put down.
-Patty Dickson Pieczka, Author of the novel Finding the Raven and winner of the 2012 Library of Poetry Book Award from The Bitter Oleander Press for Painting the Egret's Echo

$18.95 | ISBN: 978-1-950063-26-0 | 83 Pages

New Release: A STEP INSIDE by Denis Emorine
Translated from the French by Phillip John Usher

A STEP INSIDE by Denis Emorine A STEP INSIDE by Denis Emorine (Fiction)
Translated from the French by Phillip John Usher
Červená Barva Press, 2023

Denis Emorine is a French writer. He was born in 1956 in Paris. He has an emotional attachment to English because his mother was an English teacher. He is of Russian ancestry on his father's side. Writing, for Emorine, is a way of harnessing time in its incessant flight. Themes that re-occur throughout his writing include the Doppelganger, lost or shattered identity, and mythical Venice (a place that truly fascinates him). He also has a great interest for Eastern Europe. His theatrical output has been staged in France, Canada (Quebec) and Russia. Many of his books (short stories, plays, poetry) have been published in Greece, Hungary, Romania, South Africa, and the United States. His first novel La mort en berne, 5 Sens éditions, was published in Switzerland, in 2017. An English translation Death at Half-Mast is available in the USA https://www.experimentalfiction.com/ In 2015, Denis Emorine was awarded the Naji Naaman Literary Prize Lebanon (honor prize for complete work) For more information, visit his website at: http://denis.emorine.free.fr/ul/english/accueil.htm

ABOUT THE TRANSLATOR
Phillip John Usher is Assistant Professor of French and Comparative Literature. His book Errance et cohérence: essai sur la littérature transfrontalière à la Renaissance (Paris: Classiques Garnier, 2010) deals with the topic of Renaissance border-crossing and globalization. As a translator, he is the author of the first English-language version of Ronsard's epic La Franciade (1572) (New York: AMS Press, 2010) and of Denis Emorine's No through world (Edmonds, WA: Ravenna Press, 2004). He has also translated various academic and non-academic articles and works. His articles have appeared or are forthcoming in the Bibliothèque d'Humanisme et Renaissance, La Revue des Amis de Ronsard, L'Esprit Créateur, French Forum, and elsewhere. Educated at the University of London (UK) and Harvard University (Cambridge, MA), he regularly lectures in the United States and Europe and has held a visiting position at Boston University (fall 2009). He regularly organizes lectures in the "Translation Across the Disciplines" series and is the webmaster for the Barnard Center of Translation Studies.

Denis Emorine's short-stories reflect the misunderstanding that separates human beings, the gap between the words and their meaning. For the author, the language, far from facilitating the exchanges among us, makes all communication almost impossible. Man is trapped by his feelings whatever these feelings may be. In this way an individual is thus doomed to deceive others and to deceive oneself and manages to do it all in good faith. Denis Emorine's characters are often overwhelmed by a situation they are unable to control or they are victims of fatality as it happens in a Greek tragedy. According to the Russian literary critic Dimitri Zadkine, it is "the romantics condemned to failure who make of their existence a tragedy, the artists lost in a dreamlike dimension, where their hypersensitivity prevents them from taking flight. They are always on the borders of madness and death. »

Cover Art: "Autoportrait" by Tatiana Samoïlova

$16.00 | ISBN: 978-1-950063-03-1 | 53 Pages

New Release: The Thing About Men: Stories by Gregory J. Wolos (Fiction)

The Thing About Men: Stories by Gregory J. Wolos
Červená Barva Press, 2023

Having raised two children and spent more than three decades as an educator in upstate New York, Gregory Wolos currently resides with his wife of forty-two years in a small town not far from Boston, Massachusetts. Gregory's daily regimen includes writing, running, and tending grandchildren. He holds a doctorate from the University at Albany.
Over one hundred of Gregory's short stories and reviews have been published in journals and anthologies like Glimmer Train, Georgia Review, Michigan Quarterly Review, descant, Florida Review, The Pinch, Post Road, Baltimore Review, Los Angeles Review, PANK, Superstition Review, Tahoma Literary Review, Southern Humanities Review, and many others.
Gregory’s work has won awards sponsored by Solstice, descant, Gulf Stream, New South, the Rubery Book Awards, Emrys Journal, Gambling the Aisle, and the White Eagle Coffee Store Press.
Gregory has published three other story collections: Women of Consequence (Regal House Publishing, 2019), Dear Everyone, (Duck Lake Books, 2020), and The Thing About Men, (Cervena Barva Press, 2023). For full lists of Gregory’s publications and commendations, visit www.gregorywolos.com.
More often than not Gregory's stories reflect Kafka's assertion that a literary work "should be an ice axe to break up the frozen sea inside us."

The thing about men is that there is no single "thing." The men featured in this story collection are fathers, sons, grandfathers, husbands, lovers, and loners. They are (or have been) teachers, models, gigolos, hypnotherapists, school superintendents, tattoo artists, lawyers, crematory workers, and casino employees. Some are victims; others are victimizers. All struggle to find stability or, at the very least, comfort in a world that challenges their assumptions about manhood as they search for footing in the rubble of a crumbling patriarchy. There are kindnesses and cruelties in these stories; there are successes and failures. But pull back the curtain on the central characters in The Thing About Men, and you will find that they are all men you know.


These unique stories include humans and other animals—from dogs to pandas to animal tattoos—that serve as characters to reveal the mongrel, spotted, sometimes loving relationships between men and women. Many of these stories have won awards, some are premise pieces, all are interlaced with dry humor. Here is a gifted collection that probes into our animal nature and, once read, it will not be forgotten.
—Lee Hope, Founding Editor-in-Chief, Solstice: A Magazine of Diverse Voices and author of Horsefever, a SPD best-selling novel

"Injuries and afflictions abound in The Thing About Men. Gregory Wolos keeps his compelling collection attuned to complications of recovery, while illuminating, with care and craft, the wounds most in need of wary monitoring: those that persist beneath 'the usual top layer of things.' In story after fine story, Wolos urges all of us to delve deeper."
—Matthew Pitt, author of These Are Our Demands, Midwest Book Award winner, and Attention Please Now, Winner of the Autumn House Prize

$19.95 | ISBN: 978-1-950063-58-1 | 224 Pages

SAYING GOODBYE by Andrew Stancek (Flash-Fiction)

SAYING GOODBYE by Andrew Stancek SAYING GOODBYE by Andrew Stancek
Červená Barva Press, 2023

Brief Description of Saying Goodbye
A year in the life of a six-year-old Slovak boy being brought up by his grandparents in Soviet-era Czechoslovakia. In this flash story of childhood and self-discovery, filled with heartbreak and joy, betrayal and love, Adam must invent who he will become.

Andrew Stancek describes his vocation as dreaming - clutching onto hope, even in turbulent times. He has been published widely, in SmokeLong Quarterly, FRIGG, Hobart, Green Mountains Review, New World Writing, New Flash Fiction Review, Jellyfish Review, Peacock Journal and The Phare, among others. Among his contest wins are the London Independent Story Prize, the Reflex Fiction contest, and the New Rivers Press American Fiction contest. His work has appeared in Best Microfiction 2021, the Bending Genres Anthology and Bath Flash Fiction anthologies. He has been nominated for the Pushcart Prize.


Saying Goodbye is the story of a family reckoning with loss, loyalty, disappointment, devotion, and at the center our narrator, a child as unforgettable as any Dickens hero. Abandoned by his mother, rescued by tenderness, he loses his innocence and finds his courage in a world both unapologetic and lit with the fiercest sort of love. This gorgeous story will break your heart open.
-Nancy Stohlman, After the Rapture and Going Short: An Invitation to Flash Fiction

Some boys get a layer cake, others get abandonment. When young Adam's unstable mother drops him off at his grandparents' Bratislava home prior to his sixth birthday, he knows she is not coming back. Instead he must stitch together a new life, of neighborhood bicycle rides, local shopkeepers, warm strudel smells, and fresh family pain. Andrew Stancek's Saying Goodbye is at once a story of longing and grief, and one of resiliency and tender connection between a grandfather and a boy. "Something good always grows out of something awful, like mushrooms out of manure," Adam says. This is a spare, effective novella-in-flash of one year in a boy's life, beautifully written, memorably told.
-Sara Lippmann, author of Doll Palace

$16.00 | ISBN: 978-1-950063-75-8 | 52 Pages

Bathed in Moonlight by Vassiliki Rapti
Translated from the Greek by Peter Bottéas

Bathed in Moonlight by Vassiliki Rapti Bathed in Moonlight by Vassiliki Rapti
Translated from the Greek by Peter Bottéas
Červená Barva Press, 2023

About the Author
Vassiliki Rapti was born and raised in Greece, and studied Comparative Literature and Media in Greece, France, and the United States. She holds a Ph.D. in Comparative Literature with an Emphasis in Drama from Washington University in St. Louis, and is the author of several books, including Ludics in Surrealist Theatre and Beyond (Ashgate, 2013), the co-edited volume Ludics: Play as Humanistic Inquiry (Palgrave/MacMillan, 2021), and the bilingual poetry collection Transitorium (Somerset Hall Press, 2015). Her translation publications include Greek surrealist author Nanos Valaoritis, and her poetry and translations have been published in various international journals. She received a Parnassos Literary award in Greece in 1998.

Her poetry is fueled by surrealist imagery, a pursuit of playfulness in artistic expression, and a desire to capture wonderment in everyday life. She is Chair of the Ludics Seminar of the Mahindra Humanities Center at Harvard University, where she founded the Advanced Training in Greek Poetry Translation and Performance Workshop, and currently teaches World Literature and Digital Culture at Emerson College. She is the founding director Citizen TALES* Commons, an international collective of scholars and artists.

The poetry collection that forms the core of this volume was published in Greek in Athens in 2021. In November 2022, the Voice of Greece, the radio arm of the Hellenic Broadcasting Corporation (EPT), featured Vassiliki as its Poet of the Week, with twice daily readings of her poetry throughout the week.

About the Translator
A native of Toronto, Canada, Peter Bottéas holds a Master's degree in Translation from the Université de Montréal and worked for many years as a translator, revisor, editor, and educator in French Canada. After a twenty-year detour as a psychotherapist in Boston, he recently returned to one of his first loves, literary translation, and is currently the primary translator of Greek Boston-based poet Vassiliki Rapti. The author and translator have done several poetry readings together in New York and Boston, as well as in on-line forums. He is a member of the multidisciplinary think-tank and creative forum Citizen TALES Commons and, along with Vassiliki, is co-host of the podcast series Borders Unbound: Hellenic Poetry of the Diaspora and Beyond. Peter is also an occasional voice-over artist, an infrequent poet, and an aficionado of French and Greek poetry set to music.


Ever since an insomniac, lovelorn Sappho looked up at the moon, Greek lyric poetry has echoed her register of gluko-pikron: the sweet-bitterness of longing. We open our mouths because we desire. Open Bathed in Moonlight to any page and you'll find the language of desire suffused by the tender, intensely focused erotic glow of Vassiliki Rapti's rapturous gift. Yet the moon, and Sappho, are not the only presiding spirits of illumination in this magical collection. Rapti has struck the Sapphic note in a new key by fusing it with the voices of some of the great surrealist Greek poets of the twentieth century. The result is a felicitous mix of mournful eloquence and expressionist imagination, delicate inwardness and evocative power-a testament to the "Perpetual Perseverance" of a disciplined and formidable imagination:

      you were cast among myriad
      multicolored peacocks
      so that you might learn the skill
      of perseverance
      dragged out, freed after aeons
      flung, whirling, whirling
      into the embrace of the moon.

In the pitch-perfect registers of Peter Bottéas's beautiful translation, Bathed in Moonlight is pristine.
-George Kalogeris, author of Winthropos, Associate Professor of English Literature and Classics at Suffolk University, Boston

As it moves back and forth over time, Bathed in Moonlight explores the ambiguity of what is lost and what is gained in poetry. While Vassiliki Rapti's poems certainly engage with the voices of her native Greek tradition they would also seem to be in dialogue with poetries beyond the borders of the western world. She tends to locate individual experience in the collective. And so, with intense lyricism and transformative, vivid expression, each poem creates its own separate world of emotional strength. These poems are fluent, vibrant, reflective, sensitive, open and brilliantly sensory. They reflect Rapti's wonder at the world, the cyclic nature of life and language. Her voice spins, floats, and whirls from spiral shells, floating lakes, the ever vigilant moon and calls through fragments of memory, the depths of the underground and the unspoken that hides between each line.
-Gonca Özmen

Vassiliki Rapti's luminous, capacious poems are journeys arising from hope and fears; aching and searching, they seek kinship and reconciliation with nature which is the true home for the restless, solitary self. Sensuous yet balanced, sparse yet containing multitudes, Bathed in Moonlight illuminates the life of the mind where remembrance and unbridled thoughts run together, where human yearnings are an enduring life force, where words, written from the innermost place resonate and affirm the power of poetry. This marvelous collection of poems is a balm in our fractured and chaotic time.
-Pui Ying Wong author of The Feast

$16.00 | ISBN: 978-1-950063-76-5 | 66 Pages

Heaven with Others by Barbara Molloy

Heaven with Others by Barbara Molloy Heaven with Others by Barbara Molloy
Červená Barva Press, 2023

Barbara Molloy is a writer, artist, and jazz vocalist who makes her home in Coupeville, Washington on beautiful Whidbey Island. A previous book of poems, In Favor of Lightning, was published by Wesleyan University Press. Ms. Molloy's work has been nominated for Pushcart prizes and has won awards from The Pen Foundation. Her poems have appeared in a variety of literary journals.


Barbara Molloy's new collection Heaven with Others is a feast for the senses, as well as an elegiac reminder that all we have is the present. These poems study mortality: "As if it was not her at all,/dying,/abut to die,/being dead,/or returned to life..." (“Gift of Sunflowers”). In the hands of this accomplished lyricist even the most sordid past is rendered as fine art and gifted with visceral re-birth in organic images not easily forgotten: "Leaves strewn about the yards-/the exact color of church and rectory bricks..." (Breeze). Molloy's voice brings down the high-brow and lifts up the colloquial. We are the beneficiaries of her vision.
-Judith Skillman

In this new collection, Barbara Molloy Olund keeps a sharp focus on the chaos of discarded objects and lives while tracking surprising moments of humor. "Who said 'cherish the moments' and/ 'life gives you a lemon; make lemonade?'/ Are they tired yet?..." asks the narrator (Of Ghosts). These poems respect the hard work of living. There's an intention here, almost a promise, to never let go of what matters, no matter how seemingly unimportant an object or detail, how elusive a relationship-what prevails is the intention to continue searching for what's real and what's not. "I will not love the past./ Let it glitter. Let it sit forward..." (Decision). I admire how this work confronts the spiritual labor of care giving, birthing, struggling with addiction, negotiating with ghosts, and parenting. And I'm touched by the ongoing, archetypal process running through these pages-the sorting-out of wisps of beauty from the detritus of life.
-Christianne Balk

"Sometimes," Barbara Molloy writes "the most impossible/variables line up." And in her poems, they do. Her poems leave me breathless, off kilter, bewildered (in the archaic sense of being lured into the wilds). In these wilds, grief is a force of gravity. The vision here is uncanny-the familiar is strange, the strange familiar. The seemingly ordinary embodies the unforeseen, what Stanley Plumly called in her first book "a kind of clairvoyance."
-Eric Pankey

The poems in Barbara Molloy's new book, Heaven With Others, don't rest quietly in the realm of the familiar and quotidian. Nor do they keep to the territory of the uncanny and mysterious. Molloy's poems travel in the shifting borderlands between those irreconcilable worlds. That's the rocky, unmapped terrain that her fiercely moving poems lead us through. I'm reminded of Jean Valentine's sudden leaps into unforeseen light, and also of C.K. Williams's earthbound acknowledgement of the grit underfoot. These beautiful, memorable poems are compassionate, honest testaments to what it is to walk here alone and in company, as a mortal body inhabited by spirit and dream.
-Jennifer Atkinson

$18.00 | ISBN: 978-1-950063-54-3 | 56 Pages

UN-SILENCED poems by Elizabeth Lund

UN-SILENCED poems by Elizabeth Lund UN-SILENCED poems by Elizabeth Lund
Červená Barva Press, 2023

Elizabeth Lund is the award-winning host of Poetic Lines, which features in-depth interviews with established and emerging poets. She also covers poetry for major publications, including The Christian Science Monitor, where she edited poetry for ten years. From 2015 through 2019 she wrote a monthly poetry column for The Washington Post. Her own poems have appeared in the US, the UK, and Canada. She has read and appeared at a variety of festivals, most recently the Gaithersburg Book Festival, where she served as the final judge for the 2020 high school poetry contest.

Long before 2020, when the world began grappling with a pervasive pandemic that resulted in widespread personal isolation, another type of malevolence locked many women inside their homes. These poems address the devastating effects of domestic violence and seek to restore one victim’s voice, allowing her to speak to and through another generation of women.


Poetry is one of the few art forms that enables us to approach extremely difficult and complex human experiences without having to turn to didacticism or preaching. Lund’s poems do this exquisitely as they grapple with the intense emotions of a woman trapped in an abusive relationship. Each poem is a compelling piece of a much larger puzzle - one that explores the effects of toxic masculinity and the debilitating fallacy that a woman can free her abuser from his own darkness.

With the concision of Emily Dickinson who taught us to "tell all the truth but tell it slant -," and a stream of consciousness narrative, Lund creates the perfect modality to convey an intense and painful journey that generations of women have experienced.

The result, Un-Silenced, is an absolutely stunning, heart-rattling read that implores us to open our hearts and minds.
-Michael S. Glaser, Poet Laureate of Maryland 2004-2009

A gunshot is fired. Police are called. One could say the sky/turns a deaf ear. In this powerful collection, Elizabeth Lund, the omnipresent speaker, honors a beloved aunt and casts light on other women who have suffered domestic abuse. Through poignant narrative and lyric fragments, Un-Silenced takes us deep into a culture that perpetrates violence against women. Lund gives these women the dignity they deserve while finding solace and closure to her own familial pain. This is a major debut of an authentic, compassionate voice! May all who have been harmed or are in harm's way, directly or indirectly, be blessed by this book's presence in the world.
-Dzvinia Orlowsky, author of Bad Harvest and Silvertone

Elizabeth Lund has captured the sorrow and malevolence of our times in lyrics that are unsparing, mysterious, and defiantly beautiful. I was captivated from first page to last.
-Hilary Holladay, author of The Power of Adrienne Rich: A Biography

$18.00 | ISBN: 978-1-950063-79-6 | 60 Pages

Ash by Gloria Mindock from Glass Lyre Press

Ash by Gloria Mindock
Glass Lyre Press, 2021

Gloria Mindock is the author of I Wish Francisco Franco Would Love Me (Nixes Mate Books), Whiteness of Bone (Glass Lyre Press), La Portile Raiului (Ars Longa Press, Romania) translated into the Romanian by Flavia Cosma, Nothing Divine Here, (U Šoku Štampa), and Blood Soaked Dresses (Ibbetson). Widely published in the USA and abroad, her poetry has been translated and published into the Romanian, Croatian, Serbian, Montenegrin, Spanish, Estonian, Albanian, bulgarian, Turkish, and French. Gloria has been published in numerous literary journals including Gargoyle, Web Del Sol, spoKe, Constellations: A Journal of Poetry and Fiction, Ibbetson, The Rye Whiskey Review, Muddy River Poetry Review, Unlikely Stories, Pratik: A Magazine of Contemporary Writing and Nixes Mate Review and anthology. Gloria has been awarded the Ibbetson Street Press Lifetime Achievement Award and was the recipient of the Allen Ginsberg Award for Community Service by the Newton Writing and Publishing Center. She received the fifth and fortieth Moon Prize from Writing in a Woman's Voice. Gloria was the Poet Laureate in Somerville, MA in 2017 & 2018.


In Gloria Mindock's powerful new book, the flames of love die out and the ashes linger until they dissolve into air. The body is hostage, in charred relics of failed intimacies—The burnt-out ends of smoky days (T.S. Eliot). There's beauty in the truth of Mindock's words and images: Things got smokier, battling the embers with//false waters. And there's hope: Not everyone believes in destruction.// All the heart wants is to beat. Above all, these poems radiate feeling, compassionately aware, attuned to a world of broken love that is burned beyond recognition, the ashes drifting and settling: how much sorrow can this heart take?// There is never an answer. Ash sears and sings.
—Dzvinia Orlowsky, author of Bad Harvest

In Ash, Gloria Mindock writes a gritty, beautifully haunting collection of poetry. Ash is what remains behind after destruction, ruin, death, and burning. Similarly, the poems in this collection are what will remain. Fight the shadows and wade through the darkness on a path paved by Mindock's vivid imagery, stark language, and dynamic voice, all of which, make for a most memorable experience. Now more than ever, we need these poems. With the utmost economy of words, skillful syntax, and emotional connections, each poem reverberates into the depths of your consciousness. Dark, intense, and wholly unique, Ash, by Gloria Mindock is what you've been waiting for—a collection of poetry that consumes and smolders. Are you ready?
—Renuka Raghavan, author of Out of the Blue and The Face I Desire

Gloria Mindock is a poet with singular vision: in Ash, a human heart is rolled out, then baked, then thrown to the birds; broken crucifixes are shoved into junk drawers and gather dust; a spurned/murdered woman turns into a beautiful plant that gives her ex-lover a rash. With mordant, Pinter-esque wit, Mindock explores just how far love, and even human decency, can unravel—to the point of arson, to the point of war.

Ash begin with a series of poems about lethal house fires that may be literal or metaphorical ("my skin was burned by your compulsion to be famous"), then expands to pinpoint the similar essence of human cruelty that enables soldiers to kill. As the narrator of "Doomed by the Numbers" explains: "the fact is people will still go on brutally/killing each other./Who will take my place and write about it?"

Ash concludes with an engaging, Rabelaisian roundelay of voices—mini-plays, summed up in just two stanzas, about complicated relationships between two people.

Once again, with Ash, Mindock proves herself to be unafraid of the dark. She is truly a leading, contemporary master of the edgy.
—Karen Friedland, author of Places That Are Gone and Tales from the Teacup Palace

Passionate and observant, Gloria Mindock is a tragic poet. Her books are wounds revisited. She knows that nothing, never heals.

"With a rolling pin in my hand, I roll your heart out flat... stop it from beating. The redness of blood turns to wax, sticky while wet." (Baked)

She senses the pain of the world in her being.

"The void looms deep, scorched like the desert blowing aimlessly." (Exit)

As her latest book Ash attests without doubt, Gloria is both a warrior and a martyr. Her words are swords that slowly transform into tears.

Her anger at life's injustice is mighty, but mighty is her generosity and her openness towards repair, harmony and universal peace. A must-read Ash conducts the reader through thorny labyrinths of pain and despair, allowing now and then a glimpse of ultimate resolve and liberation in verses of a rare beauty:

"...but gravity is about to free me into space... People will look at me day and night and ask, "what is it?" There is no control over what happens. The cathedral is high and my freckles fell on the floor as I left. Paleness now, that no one sees, but in the universe, I will be a prism." (Gravity)

"...A hunger surrounds us, dust gathers, and is wiped off, space evading all this as songs of the wind come through the window and we all hum." (Room)
—Flavia Cosma, author of In the Arms of the Father, Val-David, QC

$16.00 | ISBN: 978-1-941783-75-7 | 71 Pages

New Release: Our first children's book! Little Brown Mouse
by Jack Mindock, Gloria Mindock, and Kellis Mindock Dryer

Little Brown Mouse Little Brown Mouse (Children)
by Jack Mindock, Gloria Mindock, and Kellis Mindock Dryer
Illustrations by William J. Kelle
Červená Barva Press, 2020

ABOUT THE AUTHORS
Jack Mindock (b. 1926), author of Little Brown Mouse, spent sixty years of his life as an educator. He was a junior high language arts teacher and K-12 principal in Illinois. He is a World War II Navy veteran and historian who frequently has speaking engagements about his knowledge and experiences. He started telling Little Brown Mouse stories to his children when they were young. They were oral stories, made up as he went along. It was Jack's desire to have some new Little Brown Mouse adventures in print and published for future generations of children to enjoy.

Kellis Mindock Dryer, daughter of author Jack Mindock, is a pianist and piano teacher in Cary, NC. She enjoyed composing the two Little Brown Mouse songs in the book. They can be sung with or without the piano accompaniment. If the children and parents reading this book cannot read music, they are welcome to recite the lyrics as poetry or make up their own melodies.

Gloria Mindock is the author of five books of poetry, most recently, I wish Francisco Franco Would Love Me (Nixes Mate books, 2018). She is the founding editor of Cervena Barva Press and one of the USA editors for Levure Litteraire (France). Widely published in the USA and abroad, her poetry has been translated and published into eight languages. Gloria has been awarded the Ibbetson Street Press Lifetime Achievement Award and was the recipient of the Allen Ginsberg Award for Community Service by the Newton Writing and Publishing Center. She also has been awarded the fifth and fortieth Moon Prize by Writing in a Woman's Voice. She was the Poet Laureate in Somerville, MA in 2017 & 2018.


NOTE
When I was three, four, and five years old, my Dad, "Daddy Jack," would make up bedtime stories every night about the adventures of “Little Brown Mouse.” He would leave me in suspense nightly. I couldn’t wait to hear what happened next to Little Brown Mouse. Why Little Brown Mouse? Because Little Brown Mouse did come to my house! This book, Little Brown Mouse, was written for mothers, fathers, and others to read to young children at bedtime.
-Gloria Mindock

PREFACE
Welcome to the land of curiosity and adventure! Little Brown Mouse is a bedtime story to make you think, be curious, and ask questions. Here are a few questions to get you started: Have you ever seen a mouse? What color are mice? What do they eat? Where do they live?

$13.95 | ISBN: 978-1-950063-35-2 | 28 Pages



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