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Last Update: October 7, 2014
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New Releases from Červená Barva Press

Les cahiers de Val-David Festival Notebooks Los cuadernos de Val-David 2009-2014 Anthologie brève by Flavia Cosma (Editor)

Les cahiers de Val-David Festival Notebooks
Los cuadernos de Val-David 2009-2014
Anthologie brève by Flavia Cosma (Editor)
(Poetry book)

The AFTERIMAGES
Poems by David P. Miller
(Poetry chapbook)

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New Release October 7, 2014:

THE AFTERIMAGES Poems by David P. Miller THE AFTERIMAGES Poems by David P. Miller
Červená Barva Press, 2014

David P. Miller's poems have appeared in print in Meat for Tea, Stone Soup Presents Fresh Broth, Ibbetson Street, the 2014 Bagel Bards Anthology, and Durable Goods, and online in the Muddy River Poetry Review, Wilderness House Literary Review, Oddball Magazine, and the Boston and Beyond Poetry Blog. He has twice been a featured reader at Stone Soup in Cambridge, Mass., where he is a semi-regular on the open mike. His three "micro-chapbooks" - Caution: Many People Walking, Probably Not Haiku, and Reversible Folded Poem, are available online thanks to the Origami Poems Project. David was a member of the multidisciplinary Mobius Artists Group of Boston for 25 years, visits with the Bagel Bards in Somerville, Mass., and is a member of Tom Daley's Tuesday night poetry workshop at the Boston Center for Adult Education. He is a librarian at Curry College, in Milton, Mass.

Cover Art: Jane Wiley


SEE YOUR HEARING

Listener, burnish the sense
where it is felt, each jewel, sound-being.
Air's voices shift as skull pivots,
left side and right, six directions
set in unwavering mind.

My scatterhead's listening checklists
church chimes' humid auroras,
mosaic clatter of startled bird babies,
flat thump of cardboard on plastic.
Heard that. Heard this. The roster ticked.

Packed earbuds guard concentration's thin gate.
Play it again: repeat, fade, decay.
Repetition manufactures foreplay for the ears,
but with bare attention stillness' pulse shines.

Now you, see your hearing. Introspect
sound in your skull's heaven: lustrous percepts.
Each beat, rasp, slide, crack, sigh,
manifest like honey, like water, like night.

$7.00 | 43 Pages | In Stock

New Release September 3, 2014:

Les cahiers de Val-David Festival Notebooks Los cuadernos de Val-David 2009-2014 Anthologie brève by Flavia Cosma (Editor) Les cahiers de Val-David Festival Notebooks Los cuadernos de Val-David 2009-2014 Anthologie brève
by Flavia Cosma (Editor)
Červená Barva Press, 2014

The Trilingual Anthology "Les cahiers de Val-David, Festival Notebooks, Los cuadernos de Val-David, 2009-2014" reunites, thanks to a generous grant from CLD Laurentides, some of the most talented international writers who participated so far in the Festivals at Val-David. (The International Writers' and Artists' Residence at Val-David, Quebec, Canada) The anthology is in English, French, and Spanish with many translators bringing the language of the International writers available for us to read. The International Festival of Writers and Artists is held twice a year at the International residence and is directed by Flavia Cosma, a well-known writer whose poetry, prose and children literature is published in English, French and Spanish, as well as her native Romanian. She welcomes at her residency, year after year, new talents from all corners of the world. They have the opportunity to share their poetical-artistic experience with other fellows through festivals where poetry and prose readings, book launches, conferences, round tables, improvisations, music and exhibitions are giving poets and artists of all ages and styles an opportunity to perform their work in the language of participants, most frequently English, French, Spanish, Romanian and even Ancient Greek. (www.flaviacosma.com) This anthology will take you on a journey reading the work of international writers from so many different countries and cultures.

Contributors: David Brême, Alan Britt, Christopher Bowen, Gordon Bradley, Philip Brunst, Julie Burtinshaw, Claudia Cáceres Franco, Luis Raúl Calvo, Rodica Gabriela Chira, Flavia Cosma, Carmen Doreal, Hélène Dorion, Sharl Dubé, Louise Dupré, Denis Emorine, Adrian Erbiceanu, Anna Louise E. Fontaine, Jacobo Fijman, Antoine Gravel-Bilodeau, Talleen Hacikyan, Eva Halus, Diana Haïk Hambardzumyan, Hugh Hazelton Louis-Philippe Hébert, Clelia Ifrim, Jeanne Jutras, Anna Levine, Ana López, Frédérique Marleau, Gilles Matte,Felicia Mihali, Ljubica Milicevic Gertrude Millaire, Gloria Mindock, Michael Mirolla, Pierre Mondou, Ofelia de Santos, Mel Sarnese, N. A’Yara Stein, Czandra Mostly Luminita Suse, JÜRI TALVET, Patricia Gonçalves Tenorio, Jeremiah Wall, Cheryl Antao-Xavier

$17.00 | ISBN: 978-0-692-28317-2 | 122 Pages | In Stock

September 21, 2014: What Wakes Us Poems by E.K. Mortenson

What Wakes Us Poems by E.K. Mortenson
Červená Barva Press, 2014

E. K. Mortenson is the author of the chapbooks, The Fifteenth Station (Accents Publishing, 2012) and Dreamer or the Dream (Last Automat Press, 2010. His work also appears in both print and online journals as well as anthologies. He was the 2008 recipient of the Leslie Leeds Poetry Prize, the 2012 Accents Publishing Chapbook Award, and is an instructor in the MFA in Creative and Professional Writing program at Western Connecticut State University. He writes and teaches in Pennsylvania where he lives with his wife and two children.


Answer: Attention, which is a kind of compassion.

[Somewhere between Charles Wright's obsession with the shadows where the physical and the spiritual worlds meet and David Kirby’s laughably brilliant ability to find the gut-rooted humor in both worlds, we find E. K. Mortenson's poems of celebration and grief, of laughter and agony, of people in dreams and people in our arms, all recycling: the hands of a lost grandfather come again in the hands of a toddler fascinated with water; the world refashions itself as another day, every day; what's out there is born again in the brain, and that loop makes a mind and something at least like a soul.]

Q: What is the central energy in the universe?

—Brian Clements, author of And How To End It and Jargon

E. K. Mortenson's What Wakes Us is a delightful exploration of the world at hand. The poems experiment with lineation – seeing what's possible both with the fractured line of Ferlinghetti's early poems, and with a more sustained line reminiscent of C.K. Williams. The final section of the book abandons the device of lineation altogether in a sequence of prose poems. But throughout the book, there are pleasures to be found. There is the startling comparison of eyes "the blue / of the continental shelf / on a pull-out map / from one of his National Geographics / with which I would wallpaper my room." There is the worry of a father holding a sick child, who is "terrified to wake you, / to spill the overfull cup of your sleep." And there is the accuracy of moments like this: "Small boats creak in the harbor, with only a token strain at their mooring lines, dangling kelp and dulse and carrageen." The reader of Mortenson's work will find many such pleasures.
—Charles Rafferty, author of Appetites and A Less Fabulous Infinity

$17.00 | ISBN: 978-0-9910091-3-8 | 72 Pages | In Stock

August 12, 2014: Midway Through Life's Journey 24 poems by Michael Estabrook

Midway Through Life's Journey 24 poems by Michael Estabrook Midway Through Life's Journey
24 poems by Michael Estabrook
Červená Barva Press, 2014

After 40 years of working for "The Man" and sometimes "The Woman" Michael Estabrook is finally free. No more useless meetings under florescent lights in stuffy windowless rooms. He can concentrate instead on making better poems and on pursuing his other interests including: history, art, music, theatre, opera, and his wife who is still the most beautiful woman he has ever known.


Midlife Crisis

Wasn't until my mid-fifties
that Sam-the-Tattoo-Artist
from Cambridge, Massachusetts, etched
my first tattoo onto my left shoulder:
a pair of red roses encircling one another
on a mat of shimmering green leaves.

Robin, our youngest daughter,
was in cahoots with me,
driving me to the tattoo parlor,
in the room watching the whole while.
Our other daughter, Laura,
was excited and gleeful, yelling
to her husband, "Chris come and see,
you're not going to believe it,
my Dad got a tattoo!"
On the other hand, my son
was stunned, dumbfounded,
not sure what to say.

While my wife, my poor wife,
she's away on business, hasn't seen it yet,
doesn't know of it either. But she can't
be too mad, I reason, seeing as this tattoo
was drawn by her, not as a tattoo,
of course, but as an embellishment
for a book of my poems. So she can't
be too upset because it's her art and,
as Laura said, "it is such a romantic thing
to have Mom's art on your body, forever."

$7.00 | 35 Pages | In Stock

July 30, 2014: Herding by Anne Harding Woodworth

Herding by Anne Harding Woodworth Herding by Anne Harding Woodworth
Červená Barva Press, 2014

Anne Harding Woodworth is the author of five books of poetry and three chapbooks. She lived on a farm in New York State during much of her childhood, where her fondness for cows began. It has stayed with her in spite of living in New York City; Detroit; Athens, Greece; and Frankfurt, Germany. She now divides her time between a cabin in the mountains of Western North Carolina and a home in Washington, D.C., where she is a member of the Poetry Board at the Folger Shakespeare Library. (www.annehardingwoodworth.com)


In Herding, cows rush in where angels fear to tread, as Anne Harding Woodworth finds the human in the cow and the cow in the human. Cows serve as figurative and literal witness here, be they standing by during a speaker's contemplative walk through a country morning or dressing up as a contest winner's best man, "forced to masquerade / as a bull masquerading as a best man // wearing a tailor-made bovine tuxedo." Woodworth's poems are funny and even ridiculous at times, but don't be fooled into thinking this is light verse. Here, we find the essential: our place on and of the earth, and in the immediate and more general human relationships that make up our personal herd.
—Ruth Foley, Managing Editor of Cider Press Review and author of Dear Turquoise

$7.00 | 32 Pages | In Stock

July 29, 2014: Fugitive Hope by Bruce Lader

Fugitive Hope by Bruce Lader Fugitive Hope by Bruce Lader
Červená Barva Press, 2014

Bruce Lader is the author of four other volumes of poetry, most recently, Embrace (Big Table Publishing, 2010) and Landscapes of Longing (Main Street Rag Publishing, 2009). Discovering Mortality (March Street Press, 2005) was a finalist for the 2006 Brockman-Campbell Book Award. Winner of the 2010 Left Coast Eisteddfod Poetry Competition, his poems have appeared in Poetry, New York Quarterly, Confrontation, The Humanist, New Millennium Writings, Fulcrum, Harpur Palate, Against Agamemnon: War Poems anthology, and over 100 other magazines and anthologies. He has received a writer-in-residence fellowship from The Wurlitzer Foundation and an honorarium from the College of Creative Studies at UC-Santa Barbara. Formerly a Special Education teacher, he is the Director of Bridges Tutoring, an organization in Raleigh, North Carolina, educating multicultural students. His author Website is www.BruceLader.com.


Bruce Lader’s new collection, Fugitive Hope, begins with attractive, jazzy pizzazz and over four sections deepens, broadens, and sweetens, as a pastoral symphony might, into gratitude for life, nature, and his wife, who bears the mysteries of faith and hope. In the lovely “Hide & Seek,” the speaker is only “certain of this abracadabra / moment ludicrous with / giddy freedom.” Witty and cutting, “Memo from Another Planet” imagines Earth’s quick, quiet capitulation to conquest. Near book’s end, we are listening to “covert concerts in these woods,” and in “Vision of Uncertainty,” the poet dreams of seeing spring’s advent in his wife’s eyes after his death. It is an astonishing journey, beautiful and hopeful.
—Kelly Cherry, The Retreats of Thought: Poems

In Fugitive Hope, Bruce Lader is an adept guide covering the vast territory of this fresh, lively collection. He offers compelling, sympathetic portraits of a wide range of individuals, from soldiers to judges, from Diogenes to Orpheus. A skilled craftsman, he knows just when to pull up at the end of his poems, put on the brakes, and send us flying.
—Jim Daniels, Having a Little Talk with Capital P Poetry

These are tightly structured, tightly controlled poems profuse with passion and a sometimes hidden but always savage lust for life, formed of "the legacy of gargoyle and...of cherubs hovered in balance."
—Jared Smith, The Collected Poems of Jared Smith: 1971-2011

$17.00 | ISBN: 978-0-9910091-8-3 | 81 Pages | In Stock

March, 2014, A new book from Muddy River books:
turtle grass a series of shadows by Irene Koronas

turtle grass a series of shadows by Irene Koronas turtle grass a series of shadows
by Irene Koronas
Muddy River Books, 2014

Irene Koronas has a fine arts degree from Mass College of Art in Boston, MA. She is a multi-media artist working with paint, collage, mono-printing, artists books, poetry and photography. She is poetry editor for Wilderness House Literary Review. Her poetry has appeared in journals, magazines, and online zines. Her poetry is in eight anthologies, and she has two full length books, self portrait drawn from many (Ibbetson Street Press), pentakomo cyprus (Červená Barva Press) and two chapbooks, Emily Dickinson (Propaganda Press) and Zero Boundaries (Červená Barva Press).

Cover art: Irene Koronas


Experimental, intelligent, and environmental, turtle grass, a series of shadows, April 12, 2014; ISBN 978-1-304-97193-7, ($17.95) is Irene Koronas' third full length book of poems. Her language resonates, melts into the past and jointly falls forward. Her verse includes traditional form, informational writings on nature, and romantic musing; she remains true to her own style, eclectic. She is a well known local poet and painter, a Mass College of Art, graduate.

The poems stroke the page with pigments; like green field paintings, poems float across the pages. Grass is an ordinary plant, it grows everywhere, from high ranges to dry land. Grasses are so common, often overlooked by pedestrian and poet. The poems stem from this ordinariness.

Her experiments are found in the direct use of descriptions, definition as poetry. Personal experiences blend with the tender shoots, underwater broad-blade grass, and flat grasses. The poems grow from a nurtured environment, and sing from an inner verse.

Zvi A. Sesling
Muddy River Books
Brookline Massachusetts
muddyriverbooks@gmail.com

$17.95 | ISBN: 978-1-304-97193-7 | 88 Pages | 4 copies

March 31, 2014: The Art of Waving by Tim Suermondt

The Art of Waving by Tim Suermondt The Art of Waving by Tim Suermondt
Červená Barva Press, 2014

Tim Suermondt is the author of two full-length collections: TRYING TO HELP THE ELEPHANT MAN DANCE (The Backwaters Press, 2007) and JUST BEAUTIFUL from New York Quarterly Books, 2010. He has published poems in Poetry, The Georgia Review, Blackbird, Able Muse, Prairie Schooner, PANK, Bellevue Literary Review and Stand Magazine (U.K.) and has poems forthcoming in Gargoyle, A Narrow Fellow and Plume Poetry Journal among others. After many years in Queens and Brooklyn, he has moved to Cambridge with his wife, the poet Pui Ying Wong.


"Tim Suermondt's poems in this new collection are open, friendly and inviting, in "the voice of our familiarity," but always with a profound or humorous twist. He is devoted "to a bravery found only in the details," to the "the raspberries and the ball games," or his wife "in a strange and beautiful hat," as well as to the dreams, disappointments and possibilities of everyday existence. Not for him the modish pessimism and linguistic difficulties of much of contemporary poetry. "When my wife puts on some Schubert," he says, "I'm sure the world will never end/ and neither will we." Here is a poet who communicates directly and has some hope for us. The apparent simplicity and genial humor of these marvelous poems are grounded in an artful subtlety that reflects the way life really is."
—Norman Stock

Cover Art: "Skull in a Landscape" (1946) by Edward Burra

$7.00 | 28 Pages | In Stock

March 31, 2014: Let's Go Back To The Mainland by Grzegorz Wróblewski

Let's Go Back To The Mainland by Grzegorz Wróblewski Let's Go Back To The Mainland
by Grzegorz Wróblewski
Translated from the Polish by Agnieszka Pokojska
Červená Barva Press, 2014

Grzegorz Wróblewski, born in 1962 in Gdansk and raised in Warsaw, has been living in Copenhagen since 1985. He has published ten volumes of poetry and three collections of short prose pieces in Poland; three books of poetry, a book of poetic prose and an experimental novel (translations) in Denmark; and a book of selected poems in Bosnia-Herzegovina, as well as a selection of plays. His work has been translated into fifteen languages. His recent book of prose poems, Kopenhaga, was published by Zephyr Press, 2013.


Between classical lyricism and central European surrealism, between the punk aesthetic of Mark E Smith and the existentialism of Camus, between the miniatures of Joseph Cornell and the stalker of Tarkovsky, between painting, plays, poetry, performance art, and the memoir, between Poland and Denmark and the milky way, Grzegorz Wróblewski is on the mainland. His work is the most distinct and diverse coming out out of the so-called "bruLion generation" always moving into the major leagues of this universe and perhaps others. If we don't become extinct as a species in the near future, Wroblewski will go down as one of our greatest writers, artists, and thinkers.
-Marcus Slease, author of Mu (so) Dream (window)

Cover photo: Wojciech Wilczyk

$17.00 | ISBN: 978-0-9910091-7-6 | 96 pages | In Stock

March 18, 2014: Diet of Nails by Charles S. Kraszewski

Diet of Nails by Charles S. Kraszewski Diet of Nails by Charles S. Kraszewski
Červená Barva Press, 2014

Charles S. Kraszewski. Poet and translator. Recipient of the 2013 Award for the Promulgation of Polish Literature and Culture by the Union of Polish Writers Abroad (London). Recent publications include Beast (poems), Rossetti's Armadillo (verse translations and essays), Irresolute Heresiarch: Catholicism, Gnosticism and Paganism in the Poetry of Czeslaw Milosz. Creative in both English and Polish, he is a frequent contributor to Odra (translations of T.S. Eliot and Robinson Jeffers).

Cover art: Navajo Antelopes by Stefan Tejk

$17.00 | ISBN: 978-0-9910091-5-2 | 87 Pages | In Stock

March, 2014: Inclusions by Joanna Kurowska

Inclusions by Joanna Kurowska Inclusions by Joanna Kurowska
Červená Barva Press, 2014

Cover Art: Untitled (1991) by Paweł Młynarczyk

Joanna Kurowska immigrated to the U.S. in 1988. After publishing two books of poetry in Poland-Ściana (The Wall), 1997 and Obok (Near), 1999-she gradually switched to English as her poetic medium. Many of her poems have appeared in American and European journals. In 2013, eLectio Publishing released The Wall & Beyond, a volume of her Polish poems translated into English. Another collection of Joanna's poetry, The Butterfly's Choice, is forthcoming in 2015, from Broadstone Books.

Inclusions is Joanna Kurowska's first book of originally English-language poems.


These mostly short, lapidary lyrics present to the reader not only a fallen world of detritus, missed emotional connections, thoughtless consumption, empty gratification, but also a world of fragile and fleeting beauty, raptures that last "but a fraction of a second," and art-making that redeems us. A town's soul leaks away as globalization grinds everyone and everything to sameness; a bishop's suit in a window is "a skin missing a body;" and a price is put on everything: "The trees have turned into business letters." This is simply the "now," as Kurowska sees it. But these are spiritual poems, though the god evoked-invoked-is not the property of any single group or mission. In the title poem, the speaker longs "to make sure/that i, too, am included/in the world deposited/on God's tongue." And always, the human possibilities, and the beauty of the world, are what we transcend to. In the final poem, to her son who asks what the meaning of life is, the poet replies, "Next to me, a feather swirls/In the air. A draft carries it/When the window is open" … To me, this is a lovely, non-Western image of the inclusion the poet prays for.
—James Cummins, Author of Still Some Cake

Inclusions is a book of surprising, reflective encounters with things as small as ants and as big as God. The ants, however, are big enough to make us think about the meaning of life and death. God, on the other hand, is small and light enough to fit into a snowflake. The poems listen to silence, loved ones now gone, cupboards and birds. Joanna Kurowska's slender verses pray by playing and masterfully lead the reader to the realization that "knowing is letting go."
—Katia Mitova, Author of Dream Diary

$17.00 | ISBN: 978-09910091-6-9 | 53 Pages | In Stock

March 7, 2014: A Sharp Double-Edged Luxury Object by Rodica Draghincescu

A Sharp Double-Edged Luxury Object by Rodica Draghincescu A Sharp Double-Edged Luxury Object
by Rodica Draghincescu
Translated from Romanian by Adam J. Sorkin with Antuza Genescu
Červená Barva Press, 2014

Cover Art: Devis Grebu

Rodica Draghincescu, born in 1962 in Buziaş, a town in the province of Timiş in the west of Romania, and now living in the region of Metz in France, was called by World Literature Today "one of the most spectacular figures in the new Romanian literature of the 1990s." She has published prize-winning books of original poetry and prose fiction in Romanian and in French (both in France and Canada), as well as translations, interviews, and essays. Her work has also appeared in translation in England, Belgium, Italy, Spain, Sweden, Switzerland, and the United States. In 2006 Draghincescu was awarded the "Le Lien" Prize for Poetry in Nancy-Metz, France, and in 2013 the "Virgil" Prize for European poetry in Paris. Since 2007 she has served as Artistic Director of the International Poetry Festival of Metz and consultant for arts education to the institutions of culture of Lorraine, and she is editor-in-chief of the multilingual web-magazine Levure littéraire and on the editorial board of the German review Matrix.


About the Translators:
Adam J. Sorkin is a translator of contemporary Romanian literature, whose work has won the Poetry Society (U.K.) Corneliu M. Popescu Prize for European Poetry Translation for 2005, as well as the Kenneth Rexroth Memorial Translation Prize and the Ioan Flora Prize for Poetry Translation. In 2011, he published A Path to the Sea by Liliana Ursu, translated with Ursu and Tess Gallagher (Pleasure Boat Studios—Silver Award winner in poetry as a ForeWord Reviews Book of the Year), Ioan Flora’s Medea and Her War Machines, translated with Alina Cârâc (University of New Orleans Press—third-round selection for the National Translation Award), Ion Mureşan’s The Book of Winter and Other Poems, translated with Lidia Vianu (University of Plymouth Press), and The Vanishing Point That Whistles: An Anthology of Contemporary Romanian Poetry (Talisman House). In 2012, Mouths Dry with Hatred by Dan Sociu, translated with the author (Longleaf Press), and The Flying Head by Ioan Flora, translated with Elena Bortă (Toad Press), both appeared. Sorkin is Distinguished Professor of English at Penn State Brandywine.

Antuza Genescu is a free-lance translator who lives and works in Timişoara in the west of Romania. Her translations of Rodica Draghincescu with Adam J. Sorkin have appeared in literary publications in the United States, the Netherlands, and Slovenia, both in print and on the web.

Reviews:

Boston Area Small Press and Poetry Scene:
http://dougholder.blogspot.com/2014/05/a-sharp-double-edged-luxury-object.html

$17.00 | ISBN: 978-0-9910091-2-1 | 41 Pages | In Stock

March 7, 2014: Partner, Orchard, Day Moon by Michael Todd Steffen

Partner, Orchard, Day Moon by Michael Todd Steffen Partner, Orchard, Day Moon by Michael Todd Steffen
Červená Barva Press, 2014

Cover Art: Irene Koronas

Michael Todd Steffen’s poems and articles have appeared in Connecticut Review, Poem (HLA), ACM (Another Chicago Magazine), Ibbetson Street, Wilderness House Literary Review, Muddy River Poetry Review and in the window of the Grolier Poetry Bookshop. A graduate of Belmont in Nashville, on a Rotary International Fellowship he studied and taught in England and France. He was awarded the 2007 Somerville Newswriters Festival poetry prize, and currently lives in Cambridge where he writes and works for non-profits.


I've just come back from reading the poems in Partner, Orchard, Day Moon, full of admiration. Steffen is so alive in his writing, keen with observation, both of what things actually look like, what the wind feels like, how things grow and rot, and also of character, his own, his uncles', anybody's he sees. The book gives us many wonderfully memorable lines using his chosen meter for all its worth. This is very good work.
—David Ferry

"A very moving collection of poems. I’m enjoying reading — and re-reading—the poems."
—Kathleen Spivack, author of With Robert Lowell and His Circle: Sylvia Plath, Anne Sexton, Elizabeth Bishop, Stanley Kunitz and Others


Reviews:

Poet to Poet: Michael Todd Steffen, author of Partner, Orchard, Day Moon (Cervena Barva Press, 2014) interviewed by Doug Holder on SCAT TV.
http://vp.telvue.com/preview?id=T02351&video=195415

March, 17, 2014; Boston Area Small Press & Poetry Scene:
http://dougholder.blogspot.com/2014/03/partner-orchard-day-moon-by-michael.html

$17.00 | ISBN: 978-0-9883713-2-3 | 61 Pages | In Stock

September 12, 2013: Pleasure Trout by Gloria Mindock

Pleasure Trout by Gloria Mindock Pleasure Trout by Gloria Mindock
Muddy River Books, 2013

Gloria Mindock is founding editor of Cervena Barva Press, editor of the Istanbul Literary Review based in Istanbul, Turkey, and one of the USA editors for Levure Littéraire in France. She is the author of La Portile Raiului (Ars Longa Press, 2010, Romania) translated into the Romanian by Flavia Cosma, Nothing Divine Here (U Šoku Štampa, 2010, Montenegro), and Blood Soaked Dresses (Ibbetson, 2007). Gloria's poetry has been translated and published into the Romanian, Serbian, Spanish, and French.

Widely published, her work has appeared in Murmur of Voices, Vatra Veche, UNU: Revista de Cultura, and Citadela in Romania. Other literary journal publications include: Arabesques, Poesia, Phoebe, Poet Lore, Blackbox, River Styx, Bogg, Ibbetson St., WHLR, Web Del Sol, Lost in Thought, and in the anthology Hildagards Daughters (Belgium). Her flash fiction has recently been published in Thrice and Thunderclap. She has work forthcoming in Bliss.

Gloria has had nominations for the Pushcart Prize, St. Butolph Award and was awarded a fellowship from the Somerville Arts Council. She was co-founder of Theatre S & S. Press, Inc. and was one of the founding editors of the Boston Literary Review/BLuR from 1984-1994. Theatre S. received grants from the Polaroid Foundation, The Rockefeller Foundation, The Globe Foundation, NEFA, Massachusetts Cultural Council, and the Somerville Arts Council.

Gloria works as a social worker and freelances teaching workshops. She facilitates events in her Cervena Barva Press studio, located in the Center for the Arts at the Armory in Somerville, MA.

NOTE FROM THE AUTHOR

The poems in this chapbook are all mistranslations taken from poems in languages unknown to me. Sometimes a foreign word would remind me of a word in English. I wrote what I thought the poems were saying knowing that I was wrong in my interpretation. The whole purpose was to write as quickly as I could while looking at the foreign language. I mostly used poems written in Romanian, Serbian, Italian, Spanish and Polish. This is one of my favorite ways to write. This is a work of fiction. Don't try to understand what is written here. Just enjoy the nonsense.

$7.00 | 42 Pages | In Stock

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