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September 22, 2017:
Questionable Shapes Poems by David Gullette

Questionable Shapes Poems by David Gullette
Červená Barva Press, 2017

David Gullette was one of the first editors of Ploughshares, and has been for many years the Literary Director of the Poets' Theatre. He has published poetry, fiction, memoir and criticism in a wide range of journals, and book-length translations from both Italian and Spanish, with a specialty in Nicaraguan revolutionary poetry. He is Vice President of the Newton/San Juan del Sur (Nicaragua) Sister City Project and Professor Emeritus of English at Simmons College in Boston.


David Gullette describes 'the way we live our only life': the world is kicked awake by our desire;/if not, the loser lies there sunk in sloth./ There is no sunset we do not ignite. A lesser writer would have composed a more "slothful" volume: But the ignition of brilliancies in David Gullette's QUESTIONABLE SHAPES is as dependent on copious learning and the keen sort of intelligence that the Augustans called wit as it is on emotional impulse. The balance and maturity of this book make it a real keeper!
-Sydney Lea, Poet Laureate of Vermont

QUESTIONABLE SHAPES is a book brimming with long-brewed illuminations. "Orbiter Dicta" gives an unforgettable portrait of a lovable dangerous brilliant father. "Disaffiliation" and "What the Catbird Sang" are terrific poignant instances of the eternal farewell to mother. "Superscriptions" and "Fame" are profound meditations on the unappeasable human longing to leave a lasting trace. Questionable shapes as we all are, we need the soul-encouragement that David Gullette's marvelous book so generously and buoyantly provides.
-Mark Halliday, author of Thresherphobe

"What are the strata / of pastness?" a poem in this fine book asks, and David Gullette responds with ghosts, dreams, daydreams, visions-"questionable shapes" that live beneath the surface of richly lived and recorded experience, like "waves breaking deep down under the house." A carefully wrought tension between depth and surface, memory and desire makes this deeply explorative book-with its moments of linguistic whimsy and social commentary-both challenging and engaging.
-Martha Collins, author of Blue Front

$17.00 | ISBN: 978-0-9984253-8-2 | 67 Pages | In Stock

September 22, 2017:
EK: Poems of Ekphrasis by Tree Riesener

EK: Poems of Ekphrasis by Tree Riesener
Červená Barva Press, 2017

Tree Riesener is the author of Sleepers Awake, a collection of short fiction, winner of the Eludia Award from Hidden River Arts, published by Sowilo Press in 2015. Her collection of poetry inspired by astronomy, The Hubble Cantos, was published in 2016 by Aldrich Press. Her achievements include three first prizes for fiction at the Philadelphia Writers Conference, finalist for Black Lawrence Press's Hudson Prize, finalist in PANK magazine's Fiction Chapbook Contest, the William Van Wert Fiction Award, semi-finalist in the Pablo Neruda Competition, three short stories staged in the Writing Aloud Series of InterAct Theatre, Philadelphia, a Hawthornden Fellowship at Hawthornden Castle, Scotland, and three poetry chapbooks: Liminalog, Inscapes, and Angel Poison.


The poems in Tree Riesener's EK: Poems of Ekphrasis hark back to the original meaning of ekphrasis- "to speak" "out." Driven by a kind of surrealistic urgency, the poems use all the language at their disposal to name what they see so that one bird "might escape the net." Whether focusing on works of art, photos, ultrasound images, relics, a bull fight, Chernobyl, or a shrine for a boy struck while bicycling, Riesener is an "eye witness," combining a longing for an "otherworld" with a sharp awareness of the "dead zones" of our making.
-Rebecca Seiferle, Editor of The Drunken Boat, Tucson Poet Laureate, author of Wild Tongue

In the epigraph to EK, Goethe speaks of reproducing the world that surrounds by means of the world within. No argument there as far as it goes - but he may have, in his heart, aimed for more. Tree Riesener applies wit and sometimes ecstatic imagery to form and to literary conceit, clearly aiming for more; beyond reproduction toward provocation; in this case, evoking not just the world but the mystery of encountering it. In EK, such evidence is abundant, first poem to last: "clear bright dense mysterious dusky bluish venous arterial subterranean multi-layered sustaining singing vulnerable scarlet" or "you signed the forms to be present in this room because being here where perpetual light shines upon you is better than being in the prison yard buried under a number"
-Kathryn Rantala, Founder-Editor of Ravenna Press, author of The Finnish Orchestra and other collections

The breadth and range of subjects in Tree Riesener's latest collection, EK: Poems of Ekphrasis, stretch the boundaries of the form, demand attention, enthrall, unsettle, and delight the careful reader. In "annunciation of reluctance," she has captured both Mary's terror and her desire for things to be normal with an unpleasant but quite ordinary migraine, a signal of that surreal occurrence. Brilliant! In a group of poems inspired by the Messiaen musical quartet, written in a concentration camp during WWII, the reader joins her in "searching the ruins of the rainbow for the angel who announces the end of time" (after Katrina). The ending dirge, "owed to thanatopsis gardens," is written for the plastinated bodies in an exhibit. The beautiful questioning meditations on the sublime round out these poems of witness truly written on the body and the soul.
-Michele Belluomini, poet and storyteller, former Literature Librarian of the Free Library of Philadelphia, author of Crazy Mary and Others (winner of Plan B Press chapbook contest), Translations from the Dark and signposts for sleepwalkers.

In this new collection, Riesener's "poems of witness" move into powerful, unexplored worlds of language. What strikes me the most? The vitality and freshness of her work-the beautiful side by side with the ugly and the sacred with the profane. The author dares you to tell the difference.
-John Sweet, author of Famine, Human Cathedrals, and Century of Dreaming Monsters, winner of the 2014 Lummox Poetry Prize

$17.00 | ISBN: 978-0-9981027-6-4 | 114 Pages | In Stock

July 11, 2017:
The Sound of Angels by Ruth Chad

The Sound of Angels by Ruth C. Chad
Červená Barva Press, 2017

Ruth Chad is a psychologist who works in the Boston area. Her poems have appeared in Montreal Poems, Lyrical Somerville, Ibbetson Street, The Bagel Bard Anthology, The Aurorean, Constellations and The Psychoanalytic Couple and Family Institute of New England, Connection, December 2015. Ruth grew up in Montreal, Quebec and now resides in Newton Highlands, MA. with her husband Mark Friedman.


"Ruth Chad is a poet of whispered intimacies, of living and of dying, of laughter and of sorrow, of the natural world and the metaphysical beyond. She writes as both observer and participant in the ordinary and extraordinary dramas of our existence. Her portraits of her family and especially of her dying father are poignant reflections of experience like our own. There is a tenderness in all of her writing as her short stanzas tumble out into our consciousness to demonstrate and to remind us of our human condition and the contexts within which we live. Hers is a sensitivity to the world about her as she answers the question posed to a spider in her poem 'The Children Have Grown.' She asks the spider to teach her to spin. She has, in fact, spun a web of poems full of insight, fine writing and intimacy."
-Philip E. Burnham, Jr., Winner of the Loft Poetry Prize

"There is both deep sadness and sweetness in Ruth Chad's meditative, moving, imagistic poetry. The sadness comes from loss-lost youth, the change of seasons, children moving away, a parent dying-but that loss breeds a deeper appreciation of life's sweetness, often symbolized by affecting natural imagery. I can't imagine anyone reading these poems without feeling more alive."
-Lawrence Kessenich

$7.00 | 39 Pages | In Stock

April 1, 2017:
The Path of Thunder by Susan Donnelly

The Path of Thunder by Susan Donnelly
Červená Barva Press, 2017

Susan Donnelly's latest publication is the chapbook Sweet Gooseberries from Every Other Thursday Press. She is the author of three full collections: Eve Names the Animals (Northeastern University Press), Transit and Capture the Flag (Iris Press), and three other chapbooks. Her poems have appeared in The New Yorker, The Atlantic Monthly, Poetry and many journals, anthologies and textbooks in the U.S. and abroad, as well as on websites, in academic courses, and on blogs. They have also been featured several times on Garrison Keillor's The Writers Almanac. A frequent reader of her poetry in the Boston area and beyond, Susan lives, writes, and offers poetry classes and consultations in Arlington, Massachusetts.


One writer's experiences finding a path in racially divided America.

"The heart opens/ in such unlikely places" writes Susan Donnelly and her poems give us what she sees and understands in those moments, offering us a way to grasp the world in which the heart might stay open. These are poems to be shared across a table, to knit us together, to face us toward the truth of our common life. This is, as Roque Dalton suggested, "Poetry like bread." Wine, too. What a sublime and nourishing book of poems.
-Richard Hoffman, author of Gold Star Road and Emblem

$7.00 | 27 Pages | In Stock

April, 2017:
SLOW TRANSIT Stories by Michael C. Keith

SLOW TRANSIT Stories by Michael C. Keith
Červená Barva Press, 2017

Michael C. Keith is the author/coauthor of 30 book volumes and dozens of articles on the subject of radio and broadcast studies. In addition to his non-fiction titles, Keith has published over a dozen creative works, including an acclaimed memoir: The Next Better Place-a young adult novel: Life is Falling Sideways-and 12 short story collections: most recently Perspective Drifts Like a Log on a River. His fiction has been nominated for several awards, among them the Pen/O. Henry Award, the Pushcart Prize, the National Indie Excellence Award, and the International Book Award.


"Michael Keith is doing his part to keep the short story alive in this world of novel, novel, novel... Let us hope he keeps those original stories coming."
-Brad Watson, author Miss Jane

"The characters in Slow Transit transport you to a universe of unfulfilled desires, doubts, and dreams made all the more terrifying by the author's keen sense of the dramas that make life worth living. Highly recommended."
-Ed Hamilton, author The Chintz Age

"Keith's output and beautiful prose continue to rise."
-Adam Johnson, author Fortune Smiles

$18.00 | ISBN: 978-0-9984253-6-8 | 226 Pages

December 2, 2016:
Twenty-one Ghazals by Alisher Navoiy
Translated from the Uzbek by Dennis Daly

Twenty-one Ghazals by Alisher Navoiy
Translated from the Uzbek by Dennis Daly
Červená Barva Press, 2016

Dennis Daly lives in Salem, Massachusetts with his wife Joanne. They have four adult children. Daly graduated from Boston College and has an MA in English Literature from Northeastern University. He has published three books of poetry: The Custom House (Ibbetson Street Press, 2012), Sophocles' Ajax, a Modern Translation (Wilderness House Press, 2012) and Night Walking with Nathaniel (Dos Madres Press, 2014). Daly's Sophocles' Ajax was subsequently performed at Skidmore College in a production sponsored by that college's Classics Department. Among other jobs Daly has worked as a Union Leader of a 9000 member industrial local, and as a city department head. He has traveled widely in Central Asia. Visit his blog at dennisfdaly.blogspot.com.


"Tulip fields blaze the face of my soul's fire?." So begins one of the twenty-one ghazals in Dennis Daly's elegant translation of the work of the fifteenth-century poet, Alisher Navoiy. The fire that burns through these poems is complemented by stunning illustrations from the era chosen with care by the translator that set off their own quiet conflagrations. In both illumination and interpretation, Daly's skill as wordsmith and designer is coruscating. We are indebted to him for introducing us to this poet and his passion.
-Tom Daley, author of House You Cannot Reach: Poems in the Voice of My Mother and other Poems

Dark-eyed ones come, revealing their inner selves. Alisher Navoiy, or Nizam-al-Din 'Ali-Shir, a fifteenth century poet, mystic and artist, is reawakened in Daly's sublime translations. True to their spirit yet infused with a modern idiom, these ghazals tremble on the tongue, sparkle on the sheaf. A body in flames fires a path through the wilderness, a pinch of skin reminds how close we remain. Here at the source, a cloud hovers. Delectable, delicate, dangerous ... finally, a denouement.
-Marc Vincenz, author of Becoming the Sound of Bees

$18.00 | ISBN: 978-0-9966894-6-5 | 62 Pages | In Stock

December 2, 2016:
Geography of Love and Exile by Susannah Simpson

Geography of Love and Exile by Susannah Simpson
Červená Barva Press, 2016

Susannah spent much of her childhood in Kabul, Afghanistan and spoke Farsi as a child. She has been a waitress, a founding member of the Ad Hoc Players, learned to wield a grease gun at at an auto repair garage, worked on locked psychiatric wards and as a Hospice nurse held the hands of the dying. She is the Expressive Writing Specialist at a residential treatment center in West Palm Beach,FL.

In Geography of Love and Exile, Susannah Simpson explores the deepest of human desires: to belong to this world. Through language translucent with longing, she introduces us to her many worlds. We walk with her through the bazaars of Kabul, experience the sensual pleasure of s'mores over a campfire in upstate New York, witness the red-shouldered hawk's shadow "looping across canal water" in Florida. All the while, Simpson's inner landscape-of loss, loneliness, love-accompanies us along the way. To read this remarkable collection is to explore how the places in our lives shape who we are-and sometimes, if we are fortunate, help us to feel a little less alone.
-Mary Reynolds Thompson, author of Embrace Your Inner Wild and Reclaiming the Wild Soul

I couldn't read Geography of Love and Exile without thinking of Zora Neale Hurston's line-"Ships at a distance have every man's wish aboard." Or, I would add, even ships at anchorage, ships moored to the quay, temporarily in port, poised to continue a voyage, contain our yearning, our restlessness, our hunger for both memory and renewal, for unchartered distance and unrelenting intimacy. This, then, is the spirit and the soul of Susannah Simpson's powerful work, each poem a vessel of a journey taken, lost, interrupted, unfinished, redeemed.
-Bob Shaccochis, author of Swimming in the Volcano; The Immaculate Invasion; The Next New World; Domesticity, and The Woman Who Lost Her Soul

$17.00 | ISBN: 978-0-9981027-2-6 | 67 Pages | In Stock

October 12, 2016:
Melancolía Poems by Roberto Carlos Garcia

Melancolía Poems by Roberto Carlos Garcia
Červená Barva Press, 2016

Roberto Carlos Garcia's chapbook amores gitano (gypsy loves) was published by Červená Barva Press in 2013. His poems and prose have appeared or are forthcoming in Public Pool, Stillwater Review, Gawker, Barrelhouse, Tuesday; An Art Project, The Acentos Review, Lunch Ticket, Bold As Love Magazine, Entropy, PLUCK!: The Journal of Affrilachian Arts & Culture, The Rumpus, 5 AM, Wilderness House, Connotation Press-An Online Artifact, Poets/Artists, Levure Litteraire, and others. Roberto also works with The Dodge Poetry Foundation's poetry in the classroom program. He is the founder of Get Fresh Books LLC: a cooperative press. Melancolía is his first book.

A native New Yorker, Roberto holds an MFA in Poetry and Poetry in Translation from Drew University, and is an Instructor of English at Union County College. His website is www.robertocarlosgarcia.tumblr.com.


Agitations both tender and muscular simmer inside these poems. A sadness that's palpable and physical haunts this poet; so does rage at the power-mongers' forces that keep children hungry, that fester poverty in terrifying mutations. Poet of engagement, Garcia speaks to the moon, to his sister, to the seasons and the garden, to his body a vessel: "these hands like a chunk of asteroid—full of taking & giving." This book offers us a photo-real blueprint of one man's life-space, an elegant blues-print of one man's heart, with direct utterance and lavish music.
-Judith Vollmer, Vollmer is the author of five full-length books of poetry, including The Apollonia Poems, forthcoming in 2017 as winner of the University of Wisconsin Press Four Lakes Poetry Prize.

Roberto Carlos Garcia is, it seems to me, poet-kin of both Lorca and Neruda, but also things like rain, wind, the color yellow and the color green. In Melancolía we have a collection of gorgeously quiet poems rendered by intellect and the dream where lyricism is born out of the dusky space between mystery and the everyday. Here is a breathtaking archive of an imagination at work, a body made up of effort and world. See: "My friends I am not above you // I can hear the song of reckoning in the rose thorns" and "In my mouth melancolía is an orchard, /a yellowing day & bluing night, // In my ribcage Melancolía is an ecstatic lilt /made of pearls, my heart—wet sand, /pungent as dogwoods."
-Aracelis Girmay is the author of three collections of poetry: The Black Maria (BOA Editions, 2016); Kingdom Animalia (BOA Editions, 2011), and Teeth (Curbstone Press, 2007). She is a Cave Canem fellow and teaches at Hampshire College and in the Drew University MFA program.

In these sensuous poems everything is up for inspection and interrogation, including the speaker himself. Here are echoes of Lorca and Neruda, their depth and power, but in a voice entirely the poet's own. Roberto Carlos Garcia's poems take beauty as a gift, and also as a sometimes foil against capitalism and the numbness of the suburban life we are supposed to desire. "& what is poetry if not what we need?" We need poems like these, with their living language and their vision of where we are and where poetry, ecstatic and elegiac, can take us.
-Anne Marie Macari, author of Red Deer, (Persea, 2015)

These poems ache and plead and yearn, and never forget song. Never forget song.
-Ross Gay is the author of the National Book Award finalist Catalog of Unabashed Gratitude (University of Pittsburgh Press, 2015), Bringing The Shovel Down (University of Pittsburgh Press, 2011), Against Which (Cavan Kerry Press, 2006). He is an Associate Professor at Indiana University and a Cave Canem Fellow.

$17.00 | ISBN: 978-0-9981027-1-9 | 51 Pages | In Stock

September 21, 2016:
A Peaceful Color From The Silence by Gulnar Ali Balata

A Peaceful Color From The Silence by Gulnar Ali Balata A Peaceful Color From The Silence by Gulnar Ali Balata
Červená Barva Press, 2016

Gulnar Ali Balata is a Kurdish American poet, novelist, short-story writer, teacher, and translator. She was born in Kurdistan in 1974. Gulnar is the author of six books, three books of poems in the Kurdish language, Luna and Twelve Months (2006), Song of the Sad Ruins (2008), and A Breath from Letters of Borders Dream (2012) published in Duhok, Kurdistan. My Soul Still a Virgin is a collection of translated poems from Kurdish and Arabic to English by the author in 2010. My Poems Weep to the Seagulls (2014), is a book of poems published in Arabic, in Kurdistan. Kurdonya, a novel written in the Arabic language (2015), was published in Syria.

Gulnar has been published in numerous literary journals, websites and anthologies in Kurdish and Arabic languages, which are her first and second languages. Her work has been translated into many languages, and has been published in newspapers and magazines, in Kurdish and extensively on the internet.

She was a teacher in Kurdistan and taught English for three years before she left home in 1996. Gulnar received an Associate's degree in Art from Bunker Hill Community College in 2009.

She has participated in several poetry festivals within the Kurdish Region, and also abroad, in Turkey and Europe. From her outstanding cooperation, and successful writing, she has received awards from her work, and has been listed as one of the top Kurdish Women Voices in modern Kurdish poetry.


Gulnar Ali Balata's fourth volume of poetry, A Peaceful Color From The Silence, is an intimate gift by a mature poet infused with love for her tattered homeland of Iraqi Kurdistan. Her pen ripples with sparkling rivers and her expectant heart wrings with sadness as she infuses her poems in shooting stars and sweet dew, as "tears braid Fate's threads... shoulder/ the coffin of [her] childhood." The poet is "a weaned child," an "immigrant girl," a "lover," and "the melody for the executed." When "in exile... beyond the ocean... the coffins write [her] lines." This poet insists on the possibility of a "new page from a new sorrow/with a happy heart/ Make your name in my peace/symbol of a gorgeous love's spring." We take this journey with Balata and arrive strangely hopeful, crying tears of love for the resilience of the human spirit.
-Molly Lynn Watt, On Wings of Song and Shadow People

$17.00 | ISBN: 978-0-9966894-5-8 | 73 Pages | In Stock

September 21, 2016:
Benign Protection by Anne Elezabeth Pluto (Anya Vladimirovna Pluta)

Benign Protection by Anne Elezabeth Pluto (Anya Vladimirovna Pluta)
Červená Barva Press, 2016

Anne Elezabeth Pluto is Professor of Literature and Theatre at Lesley University in Cambridge, MA where she is the co-founder and artistic director of the Oxford Street Players. She was a member of the Boston small press scene in the late 1980s and started Commonthought Magazine at Lesley 24 years ago. Her chapbook, The Frog Princess, was published by White Pine Press. She has been a participant at the Bread Loaf Writers' Conference in 2005 and 2006. Her ebook, Lubbok Electric, was published by Argotist ebooks in 2012. Her latest work appears in, The Buffalo Evening News, Unlikely Stories: Episode IV, Mat Hat Lit, nycBigCityLit, and Pirene's Fountain.

Cover Artist:
Bryson Dean-Gauthier has been an artist since childhood, and as an adult has worked in the fields of graphic design, corporate communications, television and education. She has been a graphic design teacher for 15 years, currently with the Art Institute of Pittsburgh Online Division, and is also an instructional design consultant at New England Institute of Technology in Rhode Island. Bryson's current creative work explores photography, digital imaging and mixed media, and takes inspiration from the intersections of fine art, design, mystery, spirit, the natural world and technology.


Benign Protection is a ripe and vivid collection of 32 poems fraught with multi-generational hauntings. "Each breath is a prelude," as Pluto "gnaws through me to my bone." The intricacy of her language is rich on the tongue. Pluto is meant to be read aloud. Resonant and unforgettable.
-Meg Tuite, author of Bare Bulbs Swinging, Artistically Declined Press (2014)

Anne Pluto is one of the finest poets I know. I highly recommend Benign Protection.
-Kay Kinghammer, author, The Wenachee River Anthology, Melinda Cochrane International (2014), Inside the Circus, Loyal Stone Press (2013)

From the opening poem, "The River Styx", in Anne Elezabeth Pluto's Benign Protection, we are led into a sphere of grief artfully rendered by Pluto's deft hand. There are poems of domesticity that are welcome relief, but the breathing room is small. Grief is Pluto's handmaiden and we are enriched by such an exquisite companionship in this finely-wrought volume.
-Clare L. Martin, editor, MockingHeart Review. Author, Seek The Holy Dark, Yellow Flag Press (2017), Eating the Heart First, Press 53, (2012)

$7.00 | ISBN: 978-0-9981027-0-2 | 55 Pages | In Stock

September 21, 2016:
Housing for Wrens Poems by Edward Morin

Housing for Wrens Poems by Edward Morin
Červená Barva Press, 2016

Edward Morin was born in Chicago and, while growing up, spent summers in the Upper Peninsula of Michigan. He has graduate degrees in English from The University of Chicago and Loyola University (Chicago) and has taught at seven Midwestern colleges and universities, including The University of Cincinnati, Wayne State University, and The University of Michigan.

His previous titles include Labor Day at Walden Pond (poems), The Dust of Our City (poems), and Transportation: Hot Tunes and Blues from Motor City (recorded songs). He is editor and co-translator of an anthology, The Red Azalea: Chinese Poetry since the Cultural Revolution (University of Hawaii Press). He has co-edited the anthology, Before There Is Nowhere to Stand: Palestine/Israel: Poets Respond to the Struggle (Lost Horse Press, 2012).

He has won prizes in nine national poetry contests and has had poems in Hudson Review, Prairie Schooner, River Styx, Poetry Northwest and many other magazines. His co-translations of Chinese, Arabic, and Greek poetry have appeared in Iowa Review, New Letters, Hayden's Ferry Review, and Banipal: Magazine of Modern Arab Literature. His articles and reviews have been published in The Georgia Review, Michigan Quarterly Review, and The Detroit News.

The author has worked as a writer for a few corporations. He has acted and sung in productions of several regional theatre and opera companies. He co-hosts The Crazy Wisdom Poetry Series in Ann Arbor, Michigan, and is editor of Peninsula Poets, the journal of the Poetry Society of Michigan. He lives with his wife in Ann Arbor.


Edward Morin has assembled lyrics and narratives touching on subjects you and I like to read about. The exquisite title poem prepares us for engagements with blue jays, bank swallows, wood thrushes—and also the pleasures of singing, fishing, even of aging. The language is to be savored and the hard-won wisdom taken to heart.
-Laurence Goldstein, author of Poetry Los Angeles: Reading the Essential Poems of the City

The poet uses eyes, "the most spiritual of the senses," and ears—"this recluse trills its two voice boxes / like Pan's double flute"—to present reflective narratives of the world in and around us, in backyards, at workplaces. Witnessing compulsions and hardships of contemporary life, Morin evinces winged sensibilities and deep-rooted compassion. His praise of a fellow poet ("Poetry Man") could apply to his own poems' "fire smoldering in the belly" rising "to enchant the heart and brain."
-Lyn Coffin, poet, playwright, fiction writer, and translator

Some of my favorite contemporary poems are in earlier books by Ed Morin, and this fresh chapbook offers several more, especially the family and love poems, poems of conscience and responses to the violence of needless war and domestic crimes. The poems have remarkable range in portraying a holdup, which almost cost his life, and his avocation as an actor and professor. This collection is a distinguished addition to the Cervena Barva Series. I hope it inspires a longer Collected Poems, for this poet deserves honors and attention.
-David Ray, author of 20 books including Music of Time: New and Selected Poems

$7.00 | ISBN: 978-0-9966894-7-2 | 44 Pages | In Stock

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